Robert Schumann | Introduction to his famous and representative works
Composer Robert Schumann, regarded as a romantic successor to Beethoven and Schubert, left works across a wide range of genres, from symphonies to choral music.
His output has so far been particularly noted for piano pieces and lieder.
Skillfully blending both Classical and Romantic styles, he produced many lyrical, romantic works unlike those of any other composer.
Here, we’ve picked out some of Schumann’s masterpieces and signature pieces.
Be sure to listen to Schumann’s works, which left a profound influence on later composers.
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Robert Schumann | Introducing Famous and Representative Works (111–120)
Three RomancesRobert Schumann
Throughout, this piece evokes the fragrance of Schumann’s “Träumerei,” and it’s not uncommon for violinists to select just one movement from it for use in concerts.
Schumann’s own works tend to have dramatic ups and downs, which can divide opinion, but this piece has an almost healing quality, making it recommendable even to those who are hesitant about Schumann.
Robert Schumann | Introducing Famous and Representative Works (121–130)
SupercalifragilisticexpialidociousRobert Schumann
When it comes to songs that ramp up the excitement of a heated sports day, “Supercalifragilisticexpialidocious” is a classic.
Featured in the 1964 film Mary Poppins, it has been covered by many artists in Japan as well.
The humorous vocals set to a driving rhythm are especially memorable.
It’s perfect for dances that cheer on fast-paced events like relays or ball tosses.
Try showing off a lively dance along with the charm-like repeated phrase!
Album for the Young, Op. 68-14: Little StudyRobert Schumann
Marked in the score as “quietly and very evenly,” No.
14, “Little Study,” from Album for the Young features notes arranged with the regularity of an etude.
Yet the chord progressions carry Schumann’s characteristic softness, setting it apart from pieces meant purely for mechanical finger exercise.
To render the bright, serene harmonic flow beautifully, aligning the evenness of each note is essential.
From the reading stage onward, it’s recommended to practice at a relaxed tempo while paying close attention to proper hand form.
Album for the Young, Op. 68-1 “Melody”Robert Schumann
The first piece, “Melody,” from Robert Schumann’s Album for the Young, a collection of 43 piano miniatures written for children and young people.
It’s a beautiful piece whose simple, warm tune feels quintessentially Schumann.
With relatively few notes, it’s approachable even for children, but to convey its gentle beauty, it’s important to be mindful of the balance between the hands.
Let the tender right-hand melody take center stage by keeping the left hand as soft as possible and playing with care.
Album for the Young, Op. 68 No. 14 “Little Study”Robert Schumann
Marked in the score as “quietly and very evenly,” No.
14, “Little Study,” from Album for the Young features notes arranged with the regularity of an etude.
Yet the chord progressions carry Schumann’s characteristic softness, setting it apart from pieces meant purely for mechanical finger exercise.
To render the bright, serene harmonic flow beautifully, aligning the evenness of each note is essential.
From the reading stage onward, it’s recommended to practice at a relaxed tempo while paying close attention to proper hand form.
‘Of Foreign Lands and Peoples’ from ‘Scenes from Childhood’Robert Schumann
Scenes from Childhood consists of 13 pieces, each with its own title.
The seventh piece, Träumerei, is popular, but the first piece, Of Foreign Lands and Peoples, is also well loved.
It seems to evoke children listening raptly to adults’ tales of distant countries.
Album for the Young, Op. 68 No. 1: MelodyRobert Schumann
Melody, the first piece from Robert Schumann’s Album for the Young, a collection of 43 piano pieces written for children and young players.
Its simple, warm tune is distinctly Schumann—an elegant and beautiful work.
With relatively few notes, it’s approachable even for beginners, but to convey its gentle beauty, it’s important to be mindful of balance between the hands.
Let the tender right-hand melody take center stage by keeping the left hand as soft as possible, and play with care.