Japanese karaoke songs that are easy for men in their 60s to sing
This time, we checked out Japanese songs that are easy for men in their 60s to sing at karaoke! They’re known for being generally easy to sing, with comfortable pitch, tempo, and volume.
They could make a great addition to your repertoire.
Take this opportunity to use it as a reference!
- [Men in their 60s] Even if you're not good at singing, it's okay! Easy-to-sing songs for karaoke
- [For People in Their 60s] Karaoke Songs That Get the Crowd Going: Ranking [2026]
- [For People in Their 60s] Ranking of Easy-to-Sing Karaoke Songs [2026]
- Karaoke songs that are sure to get a 60-something man fired up
- Recommended Japanese karaoke songs for men in their 60s
- Popular Japanese songs among men in their 60s: recommended masterpieces and classic tracks
- Good songs recommended for people in their 60s: classic and popular Japanese tracks
- Karaoke songs popular with women that they want men to sing
- [Men in Their 50s, Gather Up!] Classic Karaoke Crowd-Pleasers & Easy-to-Sing Hits
- Karaoke songs where even men with low voices can aim for high scores
- A love song that makes a man in his sixties relive his youth. Timeless classics that rekindle the romances of those days.
- [60s] Karaoke Popularity Rankings by Generation [2026]
- [2026 Edition] Songs Loved by People in Their 60s: Classic Hits from Their Youth
Japanese karaoke songs easy to sing for men in their 60s (81–90)
Kanda RiverMinami Kōsetsu
Sung by Kōsetsu Minami, this emblematic folk song was released in 1973.
Many people likely spent their student days in a manner similar to the world depicted in this so-called “four-and-a-half-mat Showa folk” song.
It’s a piece to be cherished and sung with a sense of nostalgia for one’s youth.
In addition to karaoke, it’s also a great choice for solo performance with an instrument.
TSUNAMISazan Ōrusutāzu
Known as a masterpiece that likens the pain of heartbreak to a tsunami, this work is a moving love song celebrated as one of Southern All Stars’ signature pieces.
It’s a gem of a ballad that expresses the sorrow of losing someone dear through a grand melody, fully showcasing Keisuke Kuwata’s exceptional songwriting and composing talent.
Released in January 2000, it topped the Oricon weekly charts and won the Japan Record Award the same year.
It was also selected as the theme song for the popular segment “Mirai Nikki III” on the TV program “U-nan no Hontoko!,” becoming a classic beloved across generations.
As a heartwarming song that offers comfort to those carrying the pain of losing someone special, it’s also highly recommended for karaoke.
Beard and Boobsyunikōn
One of Unicorn’s signature works, this song humorously portrays the wavering emotions caught between a salaryman’s job and his love life.
Tamio Okuda’s lyrical world shines as he deftly weaves in modern workplace relationships, from a young company president to the woman at the neighboring desk.
Released in October 1991, the track features an arrangement inspired by the grand sound of Electric Light Orchestra, with a striking use of synthesizers.
As the closing song on the album “Hige to Boin,” it brilliantly conveys the complex feelings of a man who can’t give up on love even while being overwhelmed by work.
It’s a perfect pick for livening up after-work karaoke with colleagues.
homeKiyama Yusaku
A moving ballad filled with warm father-to-child love and hopes for growth has been delivered by Yusaku Kiyama.
His gentle, calm voice conveys deep affection for family, and despite its straightforward storytelling, it leaves a lasting resonance in the listener’s heart.
Released in February 2008, the song was featured as the ending theme for Nippon TV’s “UtaSta!!” and Yomiuri TV’s “Joho Live Miyane-ya,” and it also led to his appearance at the 59th NHK Kohaku Uta Gassen that same year.
For karaoke, it’s recommended when you want to reflect on family memories or express gratitude to someone special.
It’s a tender, warmth-filled song—like softly returning someone’s hand squeeze under a bright sky.
White LoversKuwata Keisuke
A gem of a ballad, richly expressing the bittersweet feelings of winter love, has been delivered by Keisuke Kuwata.
It’s a moving piece that looks back on warm memories of love, as if wrapped in snow, with a sense of blessing.
Rather than lamenting a past romance as a mere failure, it impressively celebrates the moments of that love from the heart.
Accompanied by a beautiful, resonant melody, it conveys a gentle warmth within the chill of winter.
Released in October 2001, the song was featured in a Coca-Cola commercial and sold 520,000 copies on the Oricon weekly chart.
It’s a perfect choice for winter karaoke with family and close friends when you want to share heartwarming memories.
I won’t fall in love anymore.Makihara Noriyuki
A signature song by Noriyuki Makihara, distinguished by its heartwarming melody that embraces both the ache of heartbreak and a brave front.
It gently portrays memories of a former lover and the nostalgia of everyday life, while the protagonist’s resolve to move forward resonates deeply with listeners.
Released in May 1992, it was chosen as the theme song for the NTV drama “After the Children Are Asleep.” Included on the album “Kimi wa Boku no Takaramono,” it became a major hit, ranking 7th on Oricon’s year-end chart.
This piece is a companion for those standing at life’s crossroads.
When you gather with friends for karaoke, its universally relatable lyrics and melody are sure to warm the heart.
Karaoke songs in Japanese that are easy for men in their 60s to sing (91–100)
Midnight Flight — A Lonely Christmas Eve
It’s a bittersweet Christmas-themed love song that portrays a lover leaving Tokyo and the protagonist’s struggle with being unable to stop them.
Cherished alongside “Kanashimi wa Yuki no Yō ni” as one of Shogo Hamada’s classic winter songs, it creates a Christmas atmosphere through elements like the chorus.
The contrast between the festive sound and the aching lyrics heightens the sense of heartache.
Because the story comes through clearly, you can fully feel the song’s poignancy—so the key is to sing in a way that communicates the content straightforwardly.
With a gentle melodic range, it’s a song you can perform with a relaxed, tender mood.
