Japanese karaoke songs that are easy for men in their 60s to sing
This time, we checked out Japanese songs that are easy for men in their 60s to sing at karaoke! They’re known for being generally easy to sing, with comfortable pitch, tempo, and volume.
They could make a great addition to your repertoire.
Take this opportunity to use it as a reference!
- [Men in their 60s] Even if you're not good at singing, it's okay! Easy-to-sing songs for karaoke
- [For People in Their 60s] Karaoke Songs That Get the Crowd Going: Ranking [2026]
- [For People in Their 60s] Ranking of Easy-to-Sing Karaoke Songs [2026]
- Karaoke songs that are sure to get a 60-something man fired up
- Recommended Japanese karaoke songs for men in their 60s
- Popular Japanese songs among men in their 60s: recommended masterpieces and classic tracks
- Good songs recommended for people in their 60s: classic and popular Japanese tracks
- Karaoke songs popular with women that they want men to sing
- [Men in Their 50s, Gather Up!] Classic Karaoke Crowd-Pleasers & Easy-to-Sing Hits
- Karaoke songs where even men with low voices can aim for high scores
- A love song that makes a man in his sixties relive his youth. Timeless classics that rekindle the romances of those days.
- [60s] Karaoke Popularity Rankings by Generation [2026]
- [2026 Edition] Songs Loved by People in Their 60s: Classic Hits from Their Youth
Karaoke songs in Japanese that are easy for men in their 60s to sing (41–50)
So sad I can’t bear itZa Fōku Kurusedāzu
“Kanashikute Yarikirenai” is the second single by The Folk Crusaders.
It was released in 1968.
Because “Imjin River,” which had been slated as the second single, was pulled from release, this song was created to take its place.
It is said that Kazuhiko Kato composed it by connecting the chords of “Imjin River” in reverse.
Karaoke songs in Japanese that are easy for men in their 60s to sing (51–60)
First loveMurashita Kōzō
Kozo Murashita was a singer-songwriter who gained popularity for his highly original musical style that mixed New Music and folk songs.
Many men in their 60s were likely captivated by his melodic sensibility, which conveyed smoothness even within a kayōkyoku-like flow.
His song “Hatsukoi” is his biggest hit number.
Although its range is narrow, from mid1 F to mid2 G#, the chorus requires singing the high notes on the “tsu” consonant, so lowering the key by one step from your optimal key will likely give you the most stable pitch.
California ConnectionMizutani Yutaka
Actor Yutaka Mizutani has long been popular for his understated, nuanced performances.
Younger people may primarily associate him with “Aibou,” but for men in their 50s, his image as an artist might be just as strong.
Speaking of Mizutani’s classic songs, there’s “California Connection.” It’s a refined piece that exudes an adult atmosphere, built around a gently undulating vocal line with little dramatic fluctuation throughout.
The range is narrow and it doesn’t demand complex vocal techniques, making it exceptionally easy to sing.
For me to be myselfOzaki Yutaka
It’s a song that conveys a powerful determination to live true to oneself and to keep moving forward.
Included on the 1983 album “Seventeen’s Map,” it has remained beloved over the years, even being chosen as the theme song for the 1997 drama “Boku ga Boku de Aru Tame ni.” The refreshing sound paired with the passionate vocals is striking, evoking positive feelings about the future.
While the emotional delivery in the chorus may seem challenging, the melody is fundamentally straightforward, so once you get a solid grasp of the rhythm, it should be quite singable.
Journey of the Heartchūrippu
This song is the third single by Tulip, released on April 20, 1973.
It was reportedly created with the idea that the romance of train travel would resonate with listeners, taking inspiration from Norihiko Hashida & Climax’s “Hanayome” (The Bride).
The lead vocals were handled not by Zaitsuu, but by Tatsuya Himeno.
It’s a recommended track for those with a sweet, gentle voice.
ChinatownYazawa Eikichi
Eikichi Yazawa has produced many classic songs over the years.
There are likely many men in their 60s who have been fans since the Carol era.
Among his tracks, one I especially recommend is Chinatown.
The song’s vocal range is relatively narrow, from mid1 B to mid2 G#.
If you’re just following the pitch, it should be quite manageable.
However, because Yazawa employs a shout-infused singing style, trying to imitate that can make the difficulty skyrocket.
So, rather than sticking too closely to the original, aim to sing it in a comfortable key for you.
If I Could Play the PianoNishida Toshiyuki
Toshiyuki Nishida, who has left a strong mark in many works as a renowned actor.
He’s a versatile performer, and for a time he was active as a musical artist as well.
When it comes to songs that represent him, isn’t it, after all, “Moshimo Piano ga Hiketa Nara” (“If Only I Could Play the Piano”)? It’s characterized by a very calm vocal delivery, with a relatively even melodic contour and a narrow range.
It’s ideal for karaoke when you’re getting tired and want to sing something that can be performed softly.