Japanese karaoke songs that are easy for men in their 60s to sing
This time, we checked out Japanese songs that are easy for men in their 60s to sing at karaoke! They’re known for being generally easy to sing, with comfortable pitch, tempo, and volume.
They could make a great addition to your repertoire.
Take this opportunity to use it as a reference!
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- [60s] Karaoke Popularity Rankings by Generation [2026]
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Karaoke songs in Japanese that are easy for men in their 60s to sing (11–20)
The Last RainYasushi Nakanishi
Yasushi Nakanishi’s classic, filled with gentle yet heartrending emotion, is a ballad about parting with a lover.
The breakup scene, overlaid with imagery of rain, along with the portrayal of deep affection, possessiveness, and the acceptance of being unable to make the other person happy, leaves a strong impression.
The beautiful arrangement of piano and strings further highlights the crystalline quality of his vocals.
Released in August 1992, it was later used as the theme song for Hitachi’s “Ashita P-KAN Kibun!” and gradually gained support, ultimately becoming a massive hit with total sales of 900,000 copies.
In karaoke, its relaxed tempo and relatively narrow vocal range make it easy to sing calmly.
Why not sing it while carefully unfolding its story-like lyrics, together with your cherished memories?
festivalKitajima Saburō
A song that powerfully sings of the spirit of Japan’s festival culture was released by Saburo Kitajima in November 1984.
It beautifully expresses gratitude to the mountain and sea deities, traditions passed from parent to child, and the passion of men.
The song was performed a total of six times on NHK’s Kōhaku Uta Gassen up to 2013, serving as the grand finale five of those times.
In 2014, it was also used in Suzuki’s New Year sales campaign commercial, making it beloved by a wide audience.
With its powerful vocals, moving melody, and the universally relatable fervor of festivals, this is a song that’s perfect for belting out at karaoke.
DepartureMatsuyama Chiharu
It’s Chiharu Matsuyama’s debut song, released in 1977, and one of his signature works.
This song is a memorable one for me because I performed it as a duo with a student, singing while playing.
The structure repeats the opening melody several times, and the chorus finally appears toward the end.
The overall vocal range is C#3 to B4, with a big lift at the chorus, so the high notes come at the end.
It might be a bit high, but if you nail the high part, it’s a really cool song.
Be careful not to force the high notes and strain your throat.
Sing so that your head and chest resonate and your whole body carries the sound.
Since you’ll need plenty of breath, try to inhale deeply using diaphragmatic breathing, and make a conscious effort to project your voice accordingly.
bridehashida norihiko to kuraimakkusu
This song was released in 1971 as the debut single under the name Norihiko Hashida & Climax.
The vocalist is Mie Fujisawa, a woman, but it’s a song that also suits a male singer.
The melody is easy to remember, so I recommend it.
Since many younger people may not know it, it’s well-suited for karaoke among people of the same generation.
dogwood (flowering dogwood)Hitoto Yo
Released in February 2004, this work has continued to be loved as a classic of J-pop.
Hitoto Yo’s clear, translucent vocals and lyrics imbued with prayers for peace make this song deeply moving.
With its relaxed tempo and stepwise melodic progression, it’s surprisingly easy to sing.
It has also been used on Nippon TV’s “Tuesday Suspense Theater” and in commercials, making it familiar to many people.
It’s a perfect song to sing with thoughts for someone special.
Why not sing it slowly, layering your own experiences and emotions into it?
threadNakajima Miyuki
A signature work by Miyuki Nakajima that likens the miracles of encounters and bonds in life to threads.
It was released to the world as a track on the 1992 album “EAST ASIA.” Although it initially drew little attention, it shot into the spotlight when it was chosen as the theme song for the 1998 drama “Seija no Koushin” (March of the Saints).
The song portrays the hope and warmth born from human connections, and is widely known as a staple for weddings and moving scenes.
In 2020, it was adapted into a film starring Masaki Suda and Nana Komatsu, gaining renewed attention.
It’s beautiful sung softly on your own, and also great for singing together with others.
Picture the bonds you share with your loved ones, and be sure to try it at karaoke.
Karaoke songs in Japanese that are easy for men in their 60s to sing (21–30)
Strawberry Statement Once Againbanban
This song is the fifth single released in 1975 by the folk group Banban.
The lyrics and music were written by Yumi Arai, known as Yuming; it’s said that Banba, who had not had any hits, staked everything on a comeback and asked her—captivated by her talent—to write it.
The song, which depicts the student movements of the time, has a unique atmosphere.