Japanese karaoke songs that are easy for men in their 60s to sing
This time, we checked out Japanese songs that are easy for men in their 60s to sing at karaoke! They’re known for being generally easy to sing, with comfortable pitch, tempo, and volume.
They could make a great addition to your repertoire.
Take this opportunity to use it as a reference!
- [Men in their 60s] Even if you're not good at singing, it's okay! Easy-to-sing songs for karaoke
- [For People in Their 60s] Karaoke Songs That Get the Crowd Going: Ranking [2026]
- [For People in Their 60s] Ranking of Easy-to-Sing Karaoke Songs [2026]
- Karaoke songs that are sure to get a 60-something man fired up
- Recommended Japanese karaoke songs for men in their 60s
- Popular Japanese songs among men in their 60s: recommended masterpieces and classic tracks
- Good songs recommended for people in their 60s: classic and popular Japanese tracks
- Karaoke songs popular with women that they want men to sing
- [Men in Their 50s, Gather Up!] Classic Karaoke Crowd-Pleasers & Easy-to-Sing Hits
- Karaoke songs where even men with low voices can aim for high scores
- A love song that makes a man in his sixties relive his youth. Timeless classics that rekindle the romances of those days.
- [60s] Karaoke Popularity Rankings by Generation [2026]
- [2026 Edition] Songs Loved by People in Their 60s: Classic Hits from Their Youth
Karaoke songs in Japanese that are easy for men in their 60s to sing (21–30)
dogwood (flowering dogwood)Hitoto Yo
Released in February 2004, this work has continued to be loved as a classic of J-pop.
Hitoto Yo’s clear, translucent vocals and lyrics imbued with prayers for peace make this song deeply moving.
With its relaxed tempo and stepwise melodic progression, it’s surprisingly easy to sing.
It has also been used on Nippon TV’s “Tuesday Suspense Theater” and in commercials, making it familiar to many people.
It’s a perfect song to sing with thoughts for someone special.
Why not sing it slowly, layering your own experiences and emotions into it?
threadNakajima Miyuki
A signature work by Miyuki Nakajima that likens the miracles of encounters and bonds in life to threads.
It was released to the world as a track on the 1992 album “EAST ASIA.” Although it initially drew little attention, it shot into the spotlight when it was chosen as the theme song for the 1998 drama “Seija no Koushin” (March of the Saints).
The song portrays the hope and warmth born from human connections, and is widely known as a staple for weddings and moving scenes.
In 2020, it was adapted into a film starring Masaki Suda and Nana Komatsu, gaining renewed attention.
It’s beautiful sung softly on your own, and also great for singing together with others.
Picture the bonds you share with your loved ones, and be sure to try it at karaoke.
SaraiKayama Yūzō & Tanimura Shinji
Some of you reading this article may be a bit older.
For you, I recommend Sarai.
It’s a song well known even among younger generations thanks to its association with 24-Hour TV.
The real charm of this piece lies in its deep, mature vocal line.
Although the arrangement feels grand, the vocal range is very narrow—mid1 A to mid2 F—so men with lower voices should be able to sing it smoothly while making the most of their low tones.
Be sure to check it out.
MonicaYoshikawa Koji
People around 60 to 63 are the generation that experienced the peak of the second band boom.
Since the band craze continued through acts like COMPLEX and BOØWY, those who have kept following rock have probably listened to Koji Kikkawa’s songs a lot.
One track I recommend is Monica.
Its vocal range is slightly on the high side at about mid1 D to hi A#, but since notes around mid2 C to mid2 D appear frequently, you won’t really feel a wide range is required.
The pitch movement is also relatively gentle, making it very easy to sing.
It’s a song that can get people in their 50s excited too, so definitely add it to your repertoire.
era; age; time; periodNakajima Miyuki
Jidai (The Times) is a song written and composed by Miyuki Nakajima, released by Nakajima herself in 1975.
In later years, it became beloved as a song sung at graduation ceremonies and featured in music textbooks, and in 2007 it was selected as one of the “100 Best Japanese Songs.” It is a classic that has been covered by many artists.
Be sure to add it to your repertoire, too.
Let’s get married.yoshida takurou
This song is a single released in 1972 by Takuro Yoshida, one of the leading figures in Japanese folk music.
You can’t help but feel the era in the lines about hair, yet it seems the song felt very new at the time.
True to the lyrics, Yoshida reportedly held his wedding that June at a church in Karuizawa, Nagano Prefecture.
Why not recall the Showa era and give it a sing yourself?
unconsciously / without realizing itUzaki Ryūdō
For men in their 60s, when it comes to no-nonsense male singer-songwriters, Ryudo Uzaki is likely the first name that comes to mind.
He has many classic songs, but the one I especially recommend for aiming for a high score is Shira zu Shira zu no Uchi ni.
This piece is set within a relatively narrow range of mid1 B to mid2 C#, and the vocal line maintains a gentle, even contour.
However, because it calls for expressive elements like shouts and breath control, if you want to show appeal beyond just scoring points, I recommend mastering overtones that are effective in the low to low-mid range.