RAG MusicPiano
A web magazine to help you enjoy the piano even more

Masterpieces of classical piano that are too beautiful for words. A gathering of delicate tones that cleanse the soul.

The piano is a captivating instrument that transforms into a variety of expressions depending on the performer and the manner of interpretation.

Its delicate yet dynamic grace and its ineffable depth—paired with a vast palette of tones and rich resonance—are said to rival an entire orchestra with a single instrument.

This time, from among works that allow you to fully savor the piano’s timbre, we have selected pieces with a focus on “beauty.”

Whether you love to play the piano or to listen to it, we hope you will immerse yourself in its allure, savoring each delicate note one by one.

Masterpieces of Classical Piano That Are Too Beautiful: A Gathering of Delicate, Cleansing Tones (41–50)

OblivionAstor Piazzolla

ASTOR PIAZZOLLA : OBLIVION for piano,TATIANA PRIMAK KHOURY
OblivionAstor Piazzolla

Piazzolla is a distinctive composer who pursued his own path by fusing classical music and jazz.

“Oblivion,” second in fame only to “Libertango,” means “oblivion” or “forgetfulness.” It is a masterpiece that compresses dramatic, richly expressive music into a short span.

Polonaise No. 7, Op. 61 “Polonaise-Fantasy”Frederic Chopin

Daniil Trifonov – Polonaise-fantasy in A flat major, Op. 61 (third stage, 2010)
Polonaise No. 7, Op. 61 “Polonaise-Fantasy”Frederic Chopin

Frédéric Chopin, a composer born in Poland.

He displayed musical talent from an early age and produced his first work at the age of seven.

This piece is one of the masterpieces written in his final years.

While it incorporates the rhythm of the polonaise, it is characterized by a free form and fantastical elements.

It begins with unstable chords; although the polonaise rhythm briefly surfaces along the way, the fantastical elements quickly take the lead.

It seems to symbolize Chopin’s inner conflicts and flow of emotion, leaving an impression of a mood that blends melancholy and exaltation.

Highly recommended for those who want to savor the piano’s delicate timbre.

Waltz No. 15 in A-flat major, Op. 39Johannes Brahms

Waltz Op. 39 No. 15 (Brahms) – Brahms – Waltz in A-flat major, Op. 39 No. 15 – pianomaedaful
Waltz No. 15 in A-flat major, Op. 39Johannes Brahms

Johannes Brahms, a great composer known for his meticulous and elegant style.

Because many of his pieces are calm, his works frequently appear on YouTube playlists for sleeping to classical music.

Among Brahms’s works, the one I especially recommend is the Waltz No.

15 in A-flat major, Op.

39.

Originally composed for piano four hands, it was later arranged for solo performance and has been played by many performers up to the present day.

This otherworldly Brahmsian waltz, bearing the imprint of Schumann, conveys a depth of artistry not found in other waltzes.

Nocturne in D-flat major, Op. 37Aleksandr Glazunov

Richter plays Glazunov Nocturne opus 37 in D flat major
Nocturne in D-flat major, Op. 37Aleksandr Glazunov

Glazunov is a composer who absorbed many of the best qualities of Russia’s great composers.

His Nocturne is not particularly famous, but it possesses a special beauty where robust, characteristically Russian sonorities blend with a Chopin-like melancholic melody.

5 Pieces (Suite of Trees), Op. 75: No. 1, When the Rowans BloomJean Sibelius

Sibelius: Five Pieces (The Trees) When the Rowan Blossoms, Op. 75 — pf. Seiko Seki
5 Pieces (Suite of Trees), Op. 75: No. 1, When the Rowans BloomJean Sibelius

The first piece from Finnish composer Jean Sibelius’s Five Pieces (Trees), Op.

75.

It features a light, delicate melody that evokes small, charming blossoms.

The “pihlaja” in the title is known in Finland as the “tree of God,” and it’s said to appear on Moomin plates featuring the Nordic-born characters.

In a piece that depicts such flowers, it’s crucial to align the grains of sound and play with a delicate touch.

Try practicing by isolating sections and changing the rhythms, and be sure to listen closely to the sounds you produce as you practice.

Etude Op. 2 No. 1Alexander Scriabin

Horowitz – Scriabin: Etude for piano in C# minor, Op. 2 no. 1
Etude Op. 2 No. 1Alexander Scriabin

Scriabin’s music, with its distinctive worldview, is strongly influenced by Chopin.

This piece in particular highlights those elements, giving the impression of a dimly lit passion sealed within the music.

Its approachable level of difficulty also makes it a popular choice for performances and a great introduction to Scriabin.

At the seaside at nightHeino Kasuki

Kaski: By the Seaside at Night, Op. 34-1
At the seaside at nightHeino Kasuki

How about forgetting the summer heat with the cool tones of the piano? This is a beautiful miniature by the Finnish composer Heino Kaski.

Each piano note feels like a grain of light shimmering along a nighttime shoreline, gently leading your heart into the serene nature of the Nordic landscape.

Its calm, dreamlike melody tenderly envelops the listener, inviting a reflective mood.

Performed by pianist Izumi Tateno and recorded in April 1999, the piece gained wide recognition through the album “Kaski: Night By the Sea.” It’s a work I highly recommend to anyone seeking a soothing companion for a heat-weary heart and a moment of refreshing coolness.