Pick up Beethoven’s famous and representative works!
Ludwig van Beethoven created innovative music that served as a bridge from the Classical to the Romantic era, leaving a profound influence on later generations.
His music is passionate yet rich in beautiful melodies, and it conveys a sense of essential depth, as if pursuing things to their very core.
There are many masterpieces that everyone has heard at least once, such as “Fate” (Symphony No.
5) and “Für Elise.”
In this article, we’ve picked out some of Beethoven’s famous and representative works.
Why not immerse yourself in the music of Beethoven, one of the great composers?
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[Beethoven] A Selection of Masterpieces and Signature Works! (121–130)
Sonatina No. 5, 1st MovementLudwig van Beethoven
Sonatina No.
5, composed by Beethoven between 1796 and 1798.
The first movement, written in sonata form in C minor, contrasts forceful phrases with quiet ones and is built on distinctive rhythms and melodies.
The juxtaposition of short, fragmentary motifs with long, lyrical lines heightens its dynamic, impulsive effect.
This work is one of the representative pieces of Beethoven’s early period and an energetic composition that foreshadows his later Pathetique Sonata and Fifth Symphony.
It is known as an important part of the piano learner’s repertoire, so consider taking it on for competitions.
Sonatina No. 5, Movement I in G majorLudwig van Beethoven
The piece Sonatina No.
5, 1st movement is a popular choice for recitals and is well known as a Beethoven work suitable for beginners to intermediate players.
It follows an A-BA-BA-C form, and the most challenging section is the A part.
When finishing each phrase and moving to the next, the rebound can cause the sound to become too strong.
Because of this, you must always be mindful of keeping your fingers relaxed.
If you pay attention to the nuance and dynamics in the concluding C part, the piece will really shine—give it a try.
Sonatine No. 5, Movement II in G majorLudwig van Beethoven
Beethoven’s famous piece, Sonatina No.
5, Second Movement.
Written in 6/8 time and structured in an AA–BA–BA–C form, it’s suitable for beginners to intermediate players.
The way it’s perceived changes greatly depending on how well you convey the sense of meter.
By firmly placing the weight on the first note of each measure, the pulse becomes stronger—keep that in mind.
Other sections aren’t particularly difficult, so it’s recommended for beginners who want to develop their sense of rhythm.
Be sure to check it out.
Sonatina No. 6, Movement I in G majorLudwig van Beethoven
The piece known as Sonatina No.
6, said to have been composed by Beethoven in his youth.
This time, we’ve selected the first movement.
It’s a lively work that requires a certain level of finger dexterity, but in reality it’s not particularly difficult; if you use slurs and staccatos appropriately, even beginners can play it without trouble.
If anything, memorization is the harder part.
Be sure to study the score carefully and practice while deepening your understanding.
[Beethoven] Picking Up Masterpieces and Signature Works! (131–140)
Sonatina No. 6, Movement IILudwig van Beethoven
Beethoven’s famous piece “Sonatina No.
6, Movement II,” written in rondo form.
Like the first movement, its structure is somewhat complex, but the performance difficulty is low, and it is frequently played at piano recitals.
Although it isn’t particularly challenging overall, pedal control and staccato can be tricky spots.
Bringing out clear contrasts in the sound will make the piece shine.
The ending also calls for a degree of improvisatory feeling, making it recommended for beginners who want to enjoy learning the piano.
Cello Sonata No. 3 in A major, Op. 69Ludwig van Beethoven
Cello Sonata No.
3, Op.
69 from the collection of cello sonatas composed by Ludwig van Beethoven.
The set consists of Sonatas Nos.
1 through 5, and this third sonata is the most famous.
Hailed as a masterpiece often called the “New Testament of the cello,” it is considered an essential repertoire piece for many cellists.
Minuet in CLudwig van Beethoven
A piece everyone has heard at least once: “Minuet in G.” While the melody is famous, the title isn’t widely known by the general public.
Written in 3/4 time, it has no specific tempo marking, but it’s commonly performed at a lively pace.
It follows an A-A-B-A form, so once you can play the A section, you’ve essentially mastered half the piece.
Since the B section differs greatly in character from the A section, aim for a natural transition when moving between them.