Pick up Beethoven’s famous and representative works!
Ludwig van Beethoven created innovative music that served as a bridge from the Classical to the Romantic era, leaving a profound influence on later generations.
His music is passionate yet rich in beautiful melodies, and it conveys a sense of essential depth, as if pursuing things to their very core.
There are many masterpieces that everyone has heard at least once, such as “Fate” (Symphony No.
5) and “Für Elise.”
In this article, we’ve picked out some of Beethoven’s famous and representative works.
Why not immerse yourself in the music of Beethoven, one of the great composers?
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[Beethoven] A selection of famous and signature pieces! (161–170)
Symphony No. 2 in D major, Op. 36Ludwig van Beethoven
Beethoven’s masterpiece, Symphony No.
2 in D major, Op.
36.
Though he continued to compose wonderful symphonies, this one is particularly perfect for summer.
Its charm lies in how it shifts through various moods like a story.
The opening evokes a sweltering, quintessentially summery atmosphere; the middle section is elegant yet austere; and the finale surges forward with intensity, conjuring the heat and sense of liberation that summer brings.
Be sure to give it a listen.
From Symphony No. 5 in C minor, Op. 67 “Fate,” First MovementLudwig van Beethoven
Beethoven’s great work, Symphony No.
5.
This time, we’re introducing a piano arrangement that uses the famous “Fate motif” from the opening—yes, the well-known “da-da-da-DAAAN.” Since it’s originally a symphony, the difficulty can vary widely depending on the piano arrangement, and it differs from score to score.
Some versions are for advanced players, while others are easy and suitable for beginners.
Although there are a few fast passages, it’s a piece that beginners and even children can approach comfortably.
[Beethoven] Pick Up Masterpieces and Signature Works! (171–180)
Symphony No. 5 “Fate,” Second MovementLudwig van Beethoven
When we hear “Fate,” that unmistakable “da-da-da-daa” at the start of the first movement inevitably comes to mind, but in fact the same motif is also used in the second movement.
Even so, it brings a gentle, calming feeling to the listener.
It tends to be overshadowed by the first movement, but I encourage you to give it a listen at least once.
Symphony No. 6 “Pastoral”Ludwig van Beethoven
It is one of Beethoven’s representative works and the only symphony to which he himself gave a title.
Composed in the nature-rich Heiligenstadt, the piece vividly reflects the richness and serenity of nature.
Beethoven not only titled the symphony as a whole, but also gave titles to each movement: I.
“Cheerful feelings upon arriving in the countryside,” II.
“Scene by the brook,” III.
“Merry gathering of country folk,” IV.
“Thunderstorm,” and V.
“Shepherd’s hymn—Happy and thankful feelings after the storm.” Listening with these titles in mind, you may feel as if the landscape is unfolding right before your eyes.
Symphony No. 6 “Pastoral,” Second MovementLudwig van Beethoven
In this movement, where Beethoven depicts a “Scene by the Brook,” the murmuring of the stream and the chirping of birds are expressed through the instruments.
Listening to the melody envelops you in a sense of happiness, as if you were taking a leisurely nap on a warm, gentle afternoon, basking in the dappled sunlight filtering through the trees.
Symphony No. 6 in F major “Pastoral,” Fourth MovementLudwig van Beethoven
Composed in the summer of 1801 in Heiligenstadt, a suburb of Vienna that Beethoven deeply loved for its nature.
In the fourth movement, “Thunderstorm,” unstable harmonies and the intense motion of the cellos and double basses depict a ferocious storm.
“Ode to Joy” from Symphony No. 9 in D minor, Op. 125, Fourth MovementLudwig van Beethoven
Beethoven’s famous piece “Ode to Joy” from Symphony No.
9 in D minor, Op.
125, Movement IV, is also well-loved as a choral work.
The difficulty is around intermediate level, and it is sometimes performed at children’s piano recitals.
A hallmark of this piece is the dissonant chord at the beginning.
Because it leaves a strong impression, aim to play it with power.
After that, keep the balance between the right and left hands in mind, and imagine the sung melody as you express accents and phrasing.
Depending on the edition, there are arrangements that even beginners can play, so be sure to check them out.