Classical masterpieces. Recommended classical music.
Classical music created by various musicians over a long history.
From pieces whose beautiful melodies bring peace of mind to those whose grandeur overwhelms you, the range is truly diverse.
With so much out there, many people may feel, “I want to listen, but I don’t know where to start.”
For you, we’ve picked out some recommendations to get you started—“Begin with these!”
Please take a moment to enjoy the world of classical music that continues to be loved across the ages.
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Classical masterpieces. Recommended classical music (41–50)
Symphony No. 5 “Revolution,” Fourth MovementDmitri Dmitriyevich Shostakovich
A masterpiece that combines power and grandeur, this work dynamically conveys the appeal of Dmitri Shostakovich’s symphony.
The orchestra’s commanding performance instantly elevates the atmosphere of a gymnasium, creating excitement befitting a tense competition.
At its premiere in Leningrad in November 1937, Yevgeny Mravinsky and the Leningrad Philharmonic Orchestra achieved great success with their performance.
Featuring march-like phrases and a forceful rhythm, this piece is an ideal BGM to lift the spirits of all participants and lead them onto a grand stage.
Used for the main events of a sports day or for entrances and exits, it will foster a strong sense of unity throughout the venue.
String Quartet No. 2, Movement 1Alexander Borodin
Known as a masterpiece brimming with lyrical beauty, this string quartet captivates with its sweet, lovestruck melodies and delicate fragility.
Highlights include the theme that begins in the cello and passes to the first violin, as well as the lively interplay among the instruments.
It is also a highly rewarding piece for performers.
Begun in July 1881 and completed by September—a remarkably swift pace—the work overflows with a warm resonance filled with love.
It is an ideal choice for those who wish to savor beautiful melodies and rich expressiveness.
Pavane for a Newborn PrincessCharles-Henry
Characterized by an elegant and serene melody, this piece is filled with joy and hope celebrating the birth of new life.
Despite its brief duration of about 1 minute and 25 seconds, it demands delicate touch and expressive nuance.
The key to performance lies in conveying the work’s grace and joy through subtle changes in phrasing and dynamics.
Often featured in piano education settings, it is recommended for those wishing to cultivate expressiveness or seeking an encore piece for a recital.
In May 2023, a concert including this piece was held at the Paris Conservatoire, captivating the audience.
Suite bergamasque, No. 3: Clair de LuneClaude Debussy
The third piece from Claude Debussy’s Suite bergamasque, Clair de Lune, is considered his most famous work.
It is frequently featured in concerts and used as background music in visual media.
This exquisitely beautiful piano piece evokes a dreamlike scene where the moon’s gentle light emerges in the night sky.
In terms of tempo and note density, it isn’t particularly difficult, but conveying the piece’s unique atmosphere is a formidable challenge.
You could even say that real practice begins only after you’ve finished reading the score.
Be sure to focus on the beauty of the sound and the calm, flowing lines as you practice.
Hymn No. 320: “Nearer, My God, to Thee”Eliza Flower)
The hymn based on Jacob’s dream is a work themed around the desire to draw closer to God.
Set to a beautiful melody by Eliza Flower, it has continued to move listeners deeply.
Its lyrics convey the meaning of approaching God even through hardship, and it is also known from the Titanic episode.
In Japan, it has been used in the final episode of A Dog of Flanders and at funerals, and is cherished as a song of parting tinged with poignancy.
This piece is recommended for those facing life’s trials and for anyone seeking a hymn that resonates with the heart.
Since its publication in 1841, it has become a classic sung around the world.
Piano Sonata No. 21 in B-flat major, D 960 — Movement III: Allegro vivace con delicatezzaFranz Schubert
A masterpiece whose jewel-like melodies set the heart free.
Completed in September 1828, this work is especially captivating in its third movement, where a light touch is paired with delicate structural nuance.
An eight-bar theme is developed with finesse, and through successive modulations the music moves from a bright B-flat major to its parallel key, B-flat minor, leaving a striking impression of richly colored emotion.
The shading of the melody—born of its distinctive rhythmic pulse and harmonic progressions—deeply moves the listener.
Throughout, Franz Schubert’s inventive modulation techniques and masterful handling of rhythm shine.
This piece is highly recommended for those seeking the deeper flavors of classical music, and for anyone captivated by the structural beauty of piano repertoire.
Piano Quintet in A major, Op. 114, D 667 “Trout” — III. Scherzo: PrestoFranz Schubert
This is a bright, light chamber piece performed at a very fast tempo.
The violin playfully bounces through a cheerful theme, with the other instruments responding in turn, evoking creatures frolicking in a spring brook.
Composed in 1819 when the composer was 22, the work was created at the request of a mining engineer who was an avid cellist.
Its waltz-like energy born of a triple meter, the deft interplay between piano and strings, and the rich sonorities of the lower instruments captivate listeners.
Once used as the departure melody on the platform of JR East’s Joban Line Iwaki Station, this work is widely cherished as a masterpiece of chamber music.
It’s a perfect choice for those who want to feel joy and vitality through music, or who wish to experience a piece that expresses the breath of nature and everyday delight in sound.
Piano Quintet in A major, Op. 114, D. 667 “Trout” — IV. Theme and Variations: AndantinoFranz Schubert
A chamber music masterpiece performed by the uniquely scored ensemble of piano, violin, viola, cello, and double bass.
Composed in 1819 at the request of a wealthy local mining engineer, this work captivates with its bright, sprightly melodies and colorful variations.
In five variations, it vividly depicts a tale of a trout swimming in a clear stream and the crafty fisherman trying to catch it.
Conversational interplay that deftly draws out each instrument’s character, along with tonal shifts from minor to major, grips the listener’s heart.
A familiar classic also known from JR East’s Joban Line Iwaki Station departure melody and TV Asahi’s “Matsuko & Ariyoshi’s Angry New Party.” A piece I can wholeheartedly recommend to anyone interested in chamber music or piano music.
Classical masterpieces. Recommended classical music (51–60)
Etude Op. 10 No. 3 “Farewell”Frederic Chopin
Etude Op.
10 No.
3 by Frédéric Chopin, known as the “Farewell” (Tristesse) Etude.
Chopin composed 27 piano etudes that, in addition to technical elements, possess a high degree of artistry, and among them this piece is considered one of the most popular for its beautiful melody and approachable character.
Although it is relatively less difficult compared to other Chopin etudes, careful practice of fine techniques is essential.
At the same time, to avoid a mechanical performance that fixates solely on finger movement, it is advisable to focus on the smoothness of the melody and on conveying the shifts in character in the middle section.
Like a melodyJohannes Brahms
This work, set to a poem by Klaus Groth, a friend of Johannes Brahms, is characterized by a warmly embracing quality.
The wide intervals within the phrases and skillful modulations lend the piece delicacy and depth.
Its melody, deeply intertwined with the poem’s content, conveys an attempt to express emotions and thoughts beyond words through the power of music.
Beginning with broad, arpeggiated progressions and unfolding into long-breathed, beautiful melodic lines, this piece is recommended for those who wish to explore the deepest emotions of the heart through music.
Composed in 1886 and published in 1888, this song, written when Brahms was 53, has continued to be cherished by many performers and audiences.