Donpan-bushi: An Akita folk song passed down and sung by various artists
The Donpan-bushi, where Akita’s traditions live on.
This folk song is characterized by its robust, community-rooted rhythm and distinctive melodic turns, and it’s so captivating that you can’t help but start moving when you hear it.
Its friendly lyrics and snappy beat have crossed prefectural borders, and it’s now loved throughout Japan.
In this article, we introduce performances of Donpan-bushi by a variety of artists.
Enjoy the collaboration between this simple folk song, nurtured by Akita’s climate and culture, and a wide range of musical interpretations.
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Donpan-bushi: An Akita folk song passed down and sung by various artists (1–10)
Donpan-bushiIshikawa Sayuri
This folk song, arranged from a traditional ridge-raising chant around 1935 and adopted as the theme for the 1961 Akita National Sports Festival, spread nationwide as a result.
With call-and-response-like rhythms and a light, celebratory melody, it’s a beloved classic across generations, delivered here by popular enka singer Sayuri Ishikawa.
The simple melodic turns passed down in the region blend with the expressive power honed in enka, achieving a superb balance between the folk song’s dynamism and the presence of solo vocal performance.
This recording is included on the album “Min ~Tami~,” released in March 2019.
Donpan-bushiKanazawa Akiko
Akiko Kanazawa delivers a powerful rendition of a folk song that embodies the traditions of southern Akita Prefecture.
With a crisp rhythm evocative of drums and handclaps, and the lively chant of “Don-don pan-pan” inviting everyone into the Bon dance circle, this piece truly shines thanks to Kanazawa’s vocal qualities—combining sophisticated folk-style ornamentation with diaphragmatic long tones.
Included on the June 2015 album “Golden☆Best Akiko Kanazawa: Folk Songs and Enka,” it was positioned as the gateway to the Tohoku section.
It’s a perfect performance for those who want to recall their hometown festivals or are looking for a Bon dance classic.
Donpan-bushiMARU-YA
Donpan-bushi, a folk song from Akita Prefecture that gained nationwide recognition after being featured as a thematic piece at the 1961 Akita National Sports Festival.
In this performance by Yukino Yamamoto, who handles shamisen and vocals at MARU-YA, and Tomoya Nakai on the 25-string koto, the simple calls-and-responses and strong beats familiar from Bon Odori are preserved, while the rich low register and sustained harmonies of the 25-string koto intertwine with the rhythmic strumming of the thin-neck shamisen and the ornamented, melismatic vocal lines.
It’s a piece that brings the dynamism of circle dancing straight into the audience, inviting everyone to join in with handclaps.
[Donpan-bushi] Akita folk song passed down and sung by various artists (11–20)
Donpan-bushitearai sanshimai
The Te-arai Sisters deliver a spirited performance of a folk song from Daisen City in Akita Prefecture, distinguished by its lively rhythm and the signature chant “Don-don, pan-pan.” Hand dancing and vocals blend against the backdrop of historic architecture, impressively translating the circle-dance exhilaration of traditional performing arts into a modern viewing experience.
Released in September 2021 by the Hokkaido-based music project Ezo’n music, this piece was produced as a collaborative video linking regional culture with tourism resources.
It’s a perfect performance for those who want to get acquainted with folk songs or enjoy traditional culture from across Japan through video.
Donpan-bushiImajin Bon Odori-bu
This is a piece in which the Imagine Bon Odori Club has reconstructed a traditional folk song from Akita Prefecture as a modern Bon dance.
Released in June 2020 as the opening track of the album “Paradise Bon Galaxy,” it harnesses traditional call-and-response and the basic beat, while the powerful bass and percussion of a live band create a compelling groove.
It offers a charm distinct from the old-fashioned folk-song vibe and could serve as a gateway for listeners new to minyo.
Experience the sound where traditional melodic phrasing and contemporary rhythms fuse together.
Chaotic Donpan-bushiTomokawa Kazuki
This is a song in which Kazuki Tomokawa reconstructs the beloved Akita folk tune “Donpan-bushi” from his own unique perspective.
Included on the album “The Days When I Held a Thousand Cranes in My Mouth,” released in August 1978, the piece brilliantly fuses the fervor of a festival with an avant-garde tension.
While preserving the Akita dialect as is, it sonically renders the bodily sway of intoxicated revelers and the atmosphere of communal gatherings, layering urban loneliness over indigenous rhythms in a striking expression.
It may feel shocking at first, but it’s a must-listen for anyone who wants to enjoy folk music from a fresh angle.
Donpan-bushiKoyama Mitsugu
Donpan-bushi is a folk song originating in Akita, beloved also as a Bon Odori dance tune.
In this video, you can savor the charm of this simple folk song—cherished for generations in Akita—through a performance by Tsugaru shamisen player Mitsugu Koyama.
Folk songs are often passed down by various artists, sometimes with new interpretations added along the way.
Even so, many people find comfort in traditional, old-style performances.
This video offers a classic, straight-ahead rendition—one you’ll enjoy, and then find yourself wanting to return to again.