RAG MusicJapanese Songs
Lovely nursery rhymes, folk songs, and children's songs

[Japanese Folk and Regional Songs] A Collection of Beloved Masterpieces from Across Japan, Brimming with Local Pride

From north to south, the traditional singing voices passed down across Japan are treasures of each region.

Perhaps you, too, have a memorable song that your grandparents or parents sang to you when you were a child—or one you sang together.

Folk songs, woven with the lives, cultures, and sentiments of their native places, have been sung across generations.

In this article, we introduce a selection of Japanese folk songs that resonate with the heart.

As you listen to the nostalgic melodies of hometowns, let us touch the spirit and landscape of Japan.

[Japanese Folk Songs / Regional Songs] A Collection of Beloved Classics from Around Japan (21–30)

Oedo NihonbashiFORESTA

Shamisen Song: Oedo Nihonbashi (Ichimaru)
Oedo NihonbashiFORESTA

Oedo Nihonbashi is a folk song from Nihonbashi, Tokyo, with unknown composer and lyricist.

It weaves in the post station names of the Fifty-Three Stations of the Tokaido, presenting in succession the place names and famous spots along the Tokaido journey spanning 124 ri and 8 cho—about 500 km—from Nihonbashi in Tokyo to Sanjo Ohashi in Kyoto.

Saitaro-bushiFukuda Kouhei

Male Chorus Piece “Saitaro-bushi” (Saitaro Song)
Saitaro-bushiFukuda Kouhei

The Saitaro-bushi is a folk song handed down around the Matsushima Bay area of Miyagi Prefecture.

It is said to have been sung as a rowing song and as a celebratory song for bountiful bonito catches.

From the Taisho through the Showa era, Momosui Goto compiled it together with other songs as “Tairyo Utaikomi,” which made it famous nationwide.

Kiryu YagibushiKiryu Yagibushi Renraku Kyogikai Senbatsu Chimu

A performance of the Kiryu Yagibushi by local residents of Kiryu City, Gunma Prefecture.

It’s so cohesive and musically impressive that it’s hard to believe it’s being performed by ordinary people.

Folk songs are the soul music that lives in the hearts of Japanese people, so perhaps that’s why they’re easy for anyone to perform.

“Kokiriko” Toyama Prefecture folk songHachinohe Shiritsu Nejō Chūgakkō Gasshō-bu

Kokiriko — “The Kokiriko bamboo is seven sun and five bu long” — Toyama Prefecture folk song, music by Hideo Kobayashi (Nejo Junior High School Choir)
"Kokiriko" Toyama Prefecture folk songHachinohe Shiritsu Nejō Chūgakkō Gasshō-bu

This is the folk song “Kokiriko,” performed by the choir of a local junior high school in Hachinohe, Aomori Prefecture.

The first thing that astonishes you is the clear, striking presence of the voice.

That voice alone elevates the folk song to another level, turning it into something different.

It’s definitely worth listening to at least once.

Akita OndoSakurada Junko

Akita Ondo is a folk song from Akita Prefecture.

It is said to have taken shape when it was performed for Satake Yoshitaka, lord of the Kubota Domain (Akita Domain), in 1663.

There are many variations of the lyrics; well-known versions list regional specialties such as Hiyama natto and Odate magewappa, and include verses about Ono no Komachi, who was born in Dewa Province, which corresponds to present-day Yamagata and Akita Prefectures.

Yagi-bushiKunikida Chuji

Yagi-bushi, Tadaharu Kunisada, Second-generation Horigome Genta
Yagi-bushiKunikida Chuji

Yagibushi is a folk song that originated in the region centered on Ashikaga City in Tochigi Prefecture and Kiryu and Ota Cities in Gunma Prefecture.

One of its roots is said to be a song sung by the first Genta Horigome at Yagi-juku, which was located in present-day Ashikaga City, Tochigi Prefecture.

In Kiryu City, Gunma Prefecture, the Kiryu Yagibushi Festival is held every August, showcasing the Yagibushi dance and the Yagibushi ondo.

Gosha Dance

Reiwa 1st Year Yu Festival: Dedication of the Gosha Ondo Dance
Gosha Dance

A celebratory folksong rooted in the local community and passed down at Hine Shrine in Izumisano City, Osaka.

Its origins lie in the travel songs sung during the Edo-period pilgrimages to Ise.

In 1965, its name was chosen through submissions from parishioners, and it was dedicated along with choreography.

It is characterized by an energetic style that unites drum rhythms with spirited calls.

Carefully preserved by the hands of local residents, it is truly a piece imbued with the heart of the hometown.

Why not experience the fervor of Osaka’s festivals and the warm prayers of its people?