Legendary Japanese rock masterpieces and hit songs of the 1960s

The setting sun is crying.Za Supaidāsu

The setting sun is crying.

A wistful yet beautiful ballad by The Spiders, released in September 1966.

Originally created as an insert song for the film “Namida-kun Sayonara” (Goodbye, Tears), it became a massive hit with its sentimental melody and heartfelt lyrics, officially selling over 1.2 million copies and leaving a significant mark on the Japanese music scene.

The lyrics depict a farewell set against a sunset, layering the pain of heartbreak onto natural phenomena to evoke deep empathy in listeners.

The following year, a film of the same title was produced, featuring members of The Spiders.

It drew attention as a music drama portraying young people dedicating their youth to band activities.

It’s a song that stays close to your heart when you’re going through a breakup or feeling sorrowful.

Please, God!Za Tenputāzu

God, please.

A youthful prayer, staking sweet feelings on God, resounds alongside a heartfelt longing for love.

The Tempters’ passionate message is vividly colored by Kenichi Hagiwara’s husky voice and the band’s unified performance.

Released in March 1968, the song reached No.

2 on the Oricon chart and was also used in a Kanebo cosmetics commercial.

Its sound, infused with blues and R&B elements, continues to shine as a symbol of the golden age of Group Sounds.

This classic, which gently embraces the hearts of youth troubled by love, is perfect for moments when you want to be honest with your pure feelings or reaffirm your thoughts for someone special.

Blind BirdZa Moppusu

Blind Bird

This is the debut work released in November 1967 by The Mops, known as pioneers of the psychedelic movement during the tumultuous 1960s.

Its innovative arrangement—melding heavy guitar riffs with a dreamlike sound—shocked Japan’s music scene at the time.

Drawing attention for performances featuring outlandish costumes and light shows, this piece was also included on the album “Psychedelic Sound in Japan,” spawning numerous legends.

With the April 2014 release of the complete edition “Psychedelic Sound in Japan +2,” it became available on CD, prompting a renewed appreciation of its innovation.

It’s a must-listen for those who want to explore new musical possibilities or who are interested in the history of Japanese rock.

blue eyesJakkī Yoshikawa to Burū Komettsu

blue eyes

A masterpiece where a wistful melody merges with a stirring band sound.

First released during the dawn of the Group Sounds era—its English version in March 1966 and Japanese version in July—the song portrays a bittersweet romance with a woman encountered at the end of a journey through northern landscapes.

Following the English version’s sales of over 100,000 copies, the Japanese version became a massive hit, surpassing 500,000.

It earned Jackie Yoshikawa and the Blue Comets a spot in the 17th NHK Kōhaku Uta Gassen and helped ignite the GS boom.

With its polished performance and harmonies, this sonic world is a perfect pick for anyone wishing to bask in memories of first love and youth.

Let’s go, Shake!Terauchi Takeshi & Banīzu

Let's go, Shake!

A happy tune from March 1967 that weaves together a seaside coming-of-age romance and the explosive sound of electric guitar.

A classic that epitomizes the golden era of Group Sounds, it won fervent support in dance halls and go-go clubs, symbols of youth culture.

Known as a signature work by Takeshi Terauchi and the Bunnys, it was included on the album “Let’s Go ‘Fate’” and won the Arrangement Award at the 9th Japan Record Awards.

The energetic sound born from Terauchi’s exceptional guitar technique and the band’s tight cohesion makes this a gem that conveys the essence of surf rock.

Highly recommended for anyone who wants to relive the radiance of youth or explore the history of Japanese rock.