Legendary Japanese rock masterpieces and hit songs of the 1960s
The Spiders, The Wild Ones, The Tigers, The Folk Crusaders, Swing West…
Here are studio staff–recommended classics and hit songs from standout rock artists of the 1960s.
A truly legendary playlist that supported the dawn of Japanese rock.
- Classic and hit Japanese pop songs from the nostalgic 1960s
- Great Western rock classics and hit songs of the '60s
- A classic Group Sounds song. A nostalgic GS hit.
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- [1970s] Classic and hit songs of Japanese rock that blazed through the dawn era
- Nostalgic yet fresh!? Classic masterpieces of Japanese rock from the 1970s and 1980s
- Classic and hit kayōkyoku songs from the nostalgic 1960s
- The 1970s were the golden age of Western rock! Recommended classics and hit songs
- Hit songs in Japan in the late 1960s
- Nostalgic Japanese hit songs from the 1960s. A collection of popular Showa-era classic melodies.
- Timeless classics only! Showa-era hit songs perfect for acoustic sing-alongs
- Back to those nostalgic days… Classic and hit Western songs of the 1960s
Legendary Japanese rock masterpieces and hit songs of the 60s (21–30)
So sad I can’t bear itZa Fōku Kurusedāzu

This is a masterpiece by The Folk Crusaders, whose melancholic, beautiful melody and profound lyrics sink deep into the heart.
It expresses the profound sorrow and emptiness brought about by war—going beyond heartbreak or the loss of dreams.
Released in November 2004, it has been widely loved, serving as the theme song for films like “Sumo Do, Sumo Don’t” and various TV dramas.
When facing life’s hardships, you may feel a deep sense of empathy when you listen to this song.
Its appeal lies in the way it gently accompanies each person’s present moment, inviting free interpretation with its depth.
If you’re living with a feeling like there’s a hole in your heart, this may be a song that quietly stays by your side.
What you wantZa Hapuningusu Fo

This single, released in November 1967, carries a classic of the Group Sounds era into the present.
With a distinctive lineup that puts keyboards front and center, its experimental sound fuses a wide range of musical styles—from Baroque to Latin and jazz.
The earnest lyrics, expressing deep feelings for a loved one, resonated strongly with young people at the time.
The Happenings Four set themselves apart from other GS bands with innovative arrangements incorporating elements of classical music.
The jacket design by Tadanori Yokoo is particularly striking.
Highly recommended for those who want to bask in the sweet memories of youth or are interested in the experimental music of the 1960s.
A world without youZa Bībāzu

A masterpiece woven from a psychedelic rock sound and a wistful melody, this is The Beavers’ second single, released in November 1967.
Its heartrending tune vividly portrays the pain of a broken heart.
Showcasing beautifully balanced twin vocals and the twin-guitar virtuosity of Hideki Ishima and Masayuki Hirai, the track reached No.
57 on the Oricon chart.
The band also appeared on the TV program “Young 720” that same year.
It’s a song to play on nights when you want to soothe a love-broken heart, or on a quiet afternoon when you’re nostalgic for your youth.
I don’t want to let go.Za Yangāzu

This youthful love song, which passionately sings of sweet, bittersweet feelings, was released in 1968 on the PHILIPS label as a signature work by The Youngers.
Its melancholic melody line, energetic beat, and electric guitar riffs blend beautifully to vividly capture the passion of young love.
Included as the B-side to the single “My Love, My Love,” it captivated many fans alongside the A-side track, notable for its fuzz guitar.
It was later covered by groups such as The No-No Boys and P.D.Q.
Trump, and has continued to be loved across generations.
A gem of a number that stands by shy young hearts in love, it carries a universal message to which anyone can relate.
The lights of Sakhalin do not go outZa Jenoba
A crowning achievement of 1960s Group Sounds from Crown Records.
With a bittersweet melody and lyrics in the style of a Russian folk song that weave in images of the northern provinces, this soul-stirring track moves every listener.
It builds a one-of-a-kind world that feels both nostalgic and fresh.
The Genova’s debut single from February 1968 is known as a unique outlier within the 1960s Group Sounds scene, and it recorded an astonishing sales figure of over 100,000 copies.
Seamlessly blending electric guitar and band-driven sound with elements of kayōkyoku, this work lingers as a gem of a ballad that stands beside the aching hearts of those who’ve lost their hometown or their love.
It’s a classic to be heard on a quiet night by anyone who has known heartbreak or parting, or who carries deep feelings within.



