Karaoke songs recommended for men with low voices or who are good at singing in a low register
In recent years, Japan’s music scene has seen an increase in songs with lots of high notes, influenced by K-pop.
As a result, it’s become harder for men with lower voices to find songs that suit them.
So! We’ve selected recommended tracks specifically for men with deep voices.
We also considered how well these songs go over at karaoke, so if you’re planning to go with a group soon, be sure to check them out.
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Recommended karaoke songs for men with low voices and those good at singing in lower registers (111–120)
La Palummellakururi
Quruli is a band with a downbeat musical style that has long been supported by hardcore music aficionados.
Even now, they keep releasing songs without changing their style.
Among their works, the one I especially recommend is La Palummella.
It’s not a track that particularly emphasizes low frequencies, but because the overall range is narrow, you can make the low tones sound compelling as long as you match the key properly.
The pitch movement is gentle as well, so consider adding it to your repertoire.
Recommended karaoke songs for men with low voices or who are good at singing in a low register (121–130)
A Little Love SongMONGOL800
As for the song “Chiisana Koi no Uta,” most people probably think of it as MONGOL800’s signature track, but it’s surprising to learn that it has actually never been released as a single.
It’s known for having been covered by many different artists, and it consistently ranks high on karaoke charts.
With its very simple melody, it’s easy for anyone to sing, and its upbeat vibe makes it perfect for livening up the mood—so it’s no wonder it’s a karaoke chart regular.
Don’t worry about being a little off-key—just sing your heart out and have fun!
Boy in the back alleyHamada Shogo
This was Shogo Hamada’s debut single, released in April 1976, and since then many different versions have come out.
Not limited to this song, Hamada’s vocals are very appealing, with a captivating low range that conveys a strong sense of masculinity, ruggedness, and power.
Speaking as a vocal coach, there are certainly aspects of his voice and vocal technique that I question, but even so, the fact that he can sing with such conviction is truly remarkable.
In particular, with this song, I think there are many lines that men who were a bit wild in their youth can relate to.
When singing it at karaoke and the like, it’s best not to over-embellish—just sing it straightforwardly! This was Shogo Hamada’s debut single, released in April 1976, and since then many different versions have come out.
Not limited to this song, Hamada’s vocals are very appealing, with a captivating low range that conveys a strong sense of masculinity, ruggedness, and power.
Speaking as a vocal coach, there are certainly aspects of his voice and vocal technique that I question, but even so, the fact that he can sing with such conviction is truly remarkable.
In particular, with this song, I think there are many lines that men who were a bit wild in their youth can relate to.
When singing it at karaoke and the like, it’s best not to over-embellish—just sing it straightforwardly!
NEON TOKYOFUJIBASE
FUJIBASE is a multi-artist who does everything from track-making to drum performance.
Known for his highly sophisticated musicality, he’s often compared to Vaundy due to their similar style.
Among FUJIBASE’s songs, I especially recommend “NEON TOKYO.” While it features some falsetto parts, most of the chorus sits in the mid-to-low range, which helps highlight the richness of a lower male voice.
Definitely consider adding it to your repertoire.
rainbowSuda Masaki
This was Masaki Suda’s fifth single overall, released on November 25, 2020.
It was also the theme song for the film “STAND BY ME Doraemon 2.” The song was written and composed by Huwie Ishizaki.
As for Suda’s vocals on this track, I think a man with an average vocal range could choose it for karaoke and sing it without too much strain.
In the A section, men who are good at lower notes can really show their strengths.
However, in the chorus and other parts, you’ll need a reasonably high range, so be mindful of that.
Speaking as a vocal coach, I feel there are aspects where it’s hard to say he’s singing with entirely proper technique, but that might actually work in your favor when singing it at karaoke.
Even on the official recording, that quality is effectively reflected in the musical expression.
In that sense, perhaps it’s a credit to the producer in charge.
Try singing the high notes by belting them out—even if a bit rough—without using falsetto or mixed voice.
Goodbye, Humanitytama
Many younger people may not know it, but it’s a hidden gem for those in the know.
It’s a slow-tempo song with a relatively low key, so it’s easy to sing.
However, the style suddenly changes in parts, so it might be hard to sing if you only remember it vaguely.
It’s an interesting song, so I think it goes over well with audiences.
POISONSorimachi Takashi
Takashi Sorimachi’s fourth single, released in July 1998.
He’s known for his uniquely deep voice, but since he isn’t primarily a professional singer, the vocal approach you hear in this song often feels closer to how many people sing at karaoke.
In that sense, if low-voiced men who struggle with high notes choose this as practice material, there’s a lot they can learn and gain from it.
If you’ve avoided karaoke because you’re “not good with high notes,” I hope you’ll use this song as a starting point and experience the joy of singing!