Karaoke songs recommended for men with low voices or who are good at singing in a low register
In recent years, Japan’s music scene has seen an increase in songs with lots of high notes, influenced by K-pop.
As a result, it’s become harder for men with lower voices to find songs that suit them.
So! We’ve selected recommended tracks specifically for men with deep voices.
We also considered how well these songs go over at karaoke, so if you’re planning to go with a group soon, be sure to check them out.
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Karaoke songs recommended for men with low voices or strong bass range (211–220)
rutKobukuro

It’s a motivational song that lifts you up when you’re troubled or feeling down.
Released in 2001 as the second single by the musical duo Kobukuro, it’s irresistibly catchy with its light rhythm and satisfying chorus.
The chorus itself doesn’t require excessively high notes, so it’s a great pick.
Since it’s a fast-paced track, be sure to keep a steady tempo and pay attention to your articulation.
Long Hope PhiliaSuda Masaki

If you want to sing a Masaki Suda song at karaoke but aren’t very confident in your singing, I recommend “Long Hope Philia.” This track doesn’t have many high notes and is notably easy to sing.
The melody line is beautiful yet simply constructed, so even those who struggle with singing can pick up the knack more easily.
It’s a song that brings out the beauty of both mid-low and high tones.
It was also used as the theme song for the anime film “My Hero Academia: Two Heroes,” so it’s a great pick for gatherings of anime song fans!
Sailing DayBUMP OF CHICKEN

BUMP OF CHICKEN’s fifth single, released in March 2003.
I know it’s a bit ironic to say this after introducing it under the theme “recommended for men with low voices,” but while the original is indeed sung with a relatively husky tone, the vocal range actually dips quite low at times (lol).
That said, it’s not like you need effortlessly soaring high notes; as long as you can push out some earnest-sounding highs, you should be fine—so there’s no need to be too intimidated.
However, if you don’t have proper vocal technique yet, belting or forcing the high notes too much can damage your throat, so please be careful about that.
If you ever feel like “this might be risky,” try lowering the key and give it a go.
Thanks, pal.supittsu

A track from Spitz’s 16th album “Mikke,” released in October 2019.
It’s introduced as having a “captivating deep voice,” but Masamune Kusano of Spitz doesn’t actually have a particularly low, deep voice.
If anything, it might be better to say it’s a song that’s easy to sing at karaoke even for those who struggle with high notes.
Some people may find the original key a bit high, but if you push your voice too much, you might spoil the atmosphere of the song.
In that case, try lowering the key a little.
I think the key to making it sound good is to keep your voice from getting shrill and to maintain a soft tone throughout.
For loveOkuda Tamio

It’s “Ai no Tame ni” by Tamio Okuda, released in 1994.
The song is characterized by Okuda’s low, masculine vocals, making it an easy karaoke choice for men with deeper voices.
It’s a cool track that conveys the composure and strength of a grown man.
It’s a popular song that can be sung by everyone from the young to adults.
Family LandscapeHanaregumi

Hanaregumi is the solo project of Takashi Nagazumi, the vocalist of the Japanese funk band SUPER BUTTER DOG, which disbanded in September 2008.
This work is his first single, released in October 2002.
It’s a memorable track characterized by a folk-inspired style with prominent acoustic guitar and vocals that have a distinctive, almost spoken delivery.
Since the song doesn’t venture into extremely high notes, it’s relatively approachable for people who struggle with high registers in terms of key; however, capturing the unique “flavor” of his singing can be quite challenging.
Ideally, it’s a song you’d want to memorize the lyrics for and perform with a solid understanding of its world and atmosphere.
Dawn BeatFujifaburikku

A track from Fujifabric’s fourth album, “MUSIC,” released in July 2010.
It’s a song left behind by the late Shimura, who passed away the previous year, and fans will no doubt find it poignant that the vocal track and the latter half’s guitar solo use his original demo as is.
The song is a quintessential Fujifabric dance/rock number, and you can fully enjoy Shimura’s slightly husky voice with its laid-back feel.
When singing it at karaoke, the key is how well you can recreate that distinctive sense of relaxed delivery.
Make sure to project properly, but be careful not to put more force into the singing than the song requires.



