Karaoke songs recommended for men with low voices or who are good at singing in a low register
In recent years, Japan’s music scene has seen an increase in songs with lots of high notes, influenced by K-pop.
As a result, it’s become harder for men with lower voices to find songs that suit them.
So! We’ve selected recommended tracks specifically for men with deep voices.
We also considered how well these songs go over at karaoke, so if you’re planning to go with a group soon, be sure to check them out.
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Recommended karaoke songs for men with low voices and those good at singing in the lower register (231–240)
A Good Day to Set Out on a JourneyTanimura Shinji
This time, I’m introducing the self-cover version of a song written by Shinji Tanimura of the folk/new music trio Alice for Momoe Yamaguchi.
As a single by Momoe Yamaguchi, it was released in November 1978 and was also used at the time as a campaign song for the former Japanese National Railways (now JR).
Shinji Tanimura is an incredibly compelling singer whose lower register carries both strength and tenderness, and his soaring high notes alongside that rich low end make you want to say, “As expected!” By all means, use your proud ‘ikebo’—that irresistible cool voice—to sing this mellow ballad and captivate your listeners!
Line(s) of dialogueSuda Masaki
“Serifu,” included on Masaki Suda’s first album PLAY.
The song was written and composed by singer-songwriter Huwie Ishizaki.
It’s a track about heartbreak and a sorrowful male perspective; while putting on a tough front, you can really feel how deeply he loved her.
The melody has relatively few big pitch changes and tends to sit in a lower range overall, making it easier to sing for those who struggle with high notes.
The phrasing has a bit of a distinctive twist, so it’s worth practicing that part.
the red threadKobukuro
Kobukuro has many songs with a heartwarming melody.
They’re one of the artists that are easy to sing at karaoke.
However, whether you can sing them even with a low voice can be a bit iffy depending on the person.
For this song, though, if you set the key to around -2, most men should be able to sing it.
If you give off a “straining” feeling in the high notes, it can ruin the song’s atmosphere, so when setting the key, try to choose one that leaves you some comfortable headroom in your upper range.
dearestFukuyama Masaharu
This song by Masaharu Fukuyama was originally created for KOH+, the duo of Fukuyama and Kou Shibasaki, but the version I’m introducing today is his self-cover sung solo.
Fukuyama is known for his deep, gentle low voice, and it’s no exaggeration to say that this simple slow ballad showcases that charm to the fullest.
I think it’s also an excellent choice for men with lower voices to pick at karaoke.
When you sing it, try to keep your delivery consistently gentle so it never becomes rough.
Ooochie KoochieOoochie Koochie
Ooochie Koochie is a unit formed by Koji Kikkawa and Tamio Okuda.
Their teaming up—two rock musicians who defined an era—drew major attention when they first formed.
Among their songs, the one I especially recommend for men with low voices is GOLD.
It’s not that the song has a particularly narrow range, but because the low register vocals are mixed to be quite loud, it’s a perfect track for bringing out the appeal of a deep voice.
Lights Off (feat. Natori)TAKU INOUE
Lights Off (feat.
natori) is a collaboration between music producer TAKU INOUE, known for his sophisticated compositions, and singer-songwriter natori, who enjoys overwhelming support from young listeners.
Speaking of natori, his distinctive low voice with a hint of youthfulness leaves a strong impression.
That vocal quality is fully utilized in this track as well, with most of the song built around the mid-to-low register.
There are occasional higher phrases that appear as accents, sharpening the contrast with the lower tones and further enhancing the appeal of a low male voice.
Unrequited loveHamada Shogo
A song by Shogo Hamada, it was first released on April 21, 1979 as the B-side to his sixth single, “Ai wo Nemurasete.” He has self-covered it several times since; the version I’m introducing here is included on Hamada’s own ballad self-cover album, Sand Castle.
It’s been arranged so you can fully enjoy one of Hamada’s charms—his slightly husky, low register—and I’d say it’s one of the best choices at karaoke for men who excel at that kind of rich, low tone.
As a vocal coach I wouldn’t normally recommend it, but the slightly tightened delivery of the high notes in the chorus also helps convey the song’s sense of poignancy.
By all means, try singing it with your own refined, deep voice—and make it even more heartrending than the original!