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Kenta Otani’s original tongue twisters: a collection that’ll have you tripping over words and bursting into laughter

Tongue twisters used for play and enunciation training.

If you’re going to take on the challenge, you want to enjoy it with uniquely funny phrases that make you laugh, right? In this article, we’ve carefully selected and introduced original tongue twisters created by comedian Kenta Otani.

Each one weaves together a whimsical world that makes you imagine the scene, and a tricky difficulty that skillfully exploits mouth movements.

They’re perfect for a quick bit of fun, so be sure to say them out loud and give them a try with your friends and family!

Kenta Otani’s original tongue twisters. A collection of works that will make you stumble and laugh (11–20)

KappapapakappaKenta Otani

【Picture Book On Sale】Tongue Twister Read-Aloud ②
Kappapapakappa Kenta Otani

This is a tongue twister with a peaceful vibe, where only the father in a kappa family is wearing a kappa—that is, a raincoat.

Since kappas are supposed to be creatures of the water, it does make you wonder whether they really need raincoats.

The key to the tongue twister is the repeated “pa” sounds and how they connect to the “ka” sounds before and after them; controlling your breath is important.

It may also help to pronounce it energetically so you can link smoothly to the next sound.

A field mouse that dreams only of teacupsKenta Otani

Can you say it? Ultra Tongue Twisters: Kenta Otani’s tongue-twister bit has Kamaitachi and a big-hearted CEO cracking up! 😂 Is the outrageous tip going to be spent on… teeth!? | Kamaitachi’s Yamauchi & Hamaya MC “Zeniitachi,” airing every Monday at 11:00 PM on ABEMA.
A field mouse that dreams only of teacups Kenta Otani

This is a tongue twister that vividly depicts a subtly agonizing situation where a field mouse always dreams only of teacups.

You can’t help but wonder what teacup dreams are like and what it feels like to be able to dream of nothing else.

The structure lines up words that differ just slightly in character count or arrangement, such as “yunomi” (teacup) and “yume-nomi” (only dreams).

Keep each word and its connections in mind as you say it.

It’s recommended to separate it into words to check each pronunciation, then link the words together and gradually increase your speed.

Pair-look helmet guinea pig slim-muscular full beatdownKenta Otani

This tongue twister describes a curious scene: two guinea pigs wearing matching helmets punching a lean, muscular person.

The fact that the matching helmets are called a “pair look,” and that the slim macho guy is somehow getting hit, all add to the humor.

It strings together words with similar sounds—like “guinea pig” and “helmet”—so the key is to catch the subtle differences as you say it.

There are also small glottal stops, so keeping a lively, rapid rhythm throughout is an important point.

Super-duper drippy catcherKenta Otani

[Picture book on sale now!] Tongue twister read-aloud (1)
Super-duper drippy catcher Kenta Otani

It’s a tongue twister that depicts a curious situation where a baseball catcher is somehow completely drenched but still doing his best.

The word “mechamecha” (super/very) is a key point, as it conjures an image of being so soaked that it could affect the game.

What makes it notable as a tongue twister is the frequent appearance of the “cha” sound; be mindful of how your mouth shape changes before and after those sounds as you practice.

Start by separating the words and pronouncing them slowly, check your mouth shape, and then gradually increase your speed—that’s the recommended approach.

Satsu shatsu shachiKenta Otani

It’s a tongue twister that conveys a somewhat playful vibe: a police officer wearing a shirt with an orca on it.

Since it’s a casual shirt rather than a uniform, it also suggests a sense of approachability.

As a tongue twister, the key is the cluster of similar sounds—“satsu,” “shatsu,” and “shachi.” Because they’re so close, pay attention to fine details like breath control.

It’s short overall, so you can focus on strong articulation; powering through with momentum is also a good strategy.