RAG MusicRanking
Wonderful Music Rankings

Ranking of popular classical pieces

Timeless classical masterpieces composed hundreds of years ago are still loved today.

We encounter them in many moments of our everyday lives, don’t we?

If you’re a classical music fan, you might go to hear orchestral performances; and if you play the piano or violin, there’s a good chance you’ve performed some of these pieces yourself.

We’ll introduce these classical masterpieces—arguably a genre listened to and cherished around the world like no other—in a ranking format!

It’s a ranking packed with masterpieces that we hope not only beginners to classical music but also dedicated fans will enjoy.

Ranking of Popular Classical Pieces (71–80)

Polonaise No. 6 in A-flat major, Op. 53 “Heroic”Frederic Chopin71rank/position

Samson François’s performance of Polonaise No.

6 in A-flat major, Op.

53, cannot help but move the listener.

Throughout the work, one feels Frédéric Chopin’s patriotism and his longing for an oppressed Poland.

The powerful rhythms, brilliant melodies, and the striking sequence of octaves in the middle section vividly evoke the image of a hero.

The arpeggios that cascade from both hands steadily heighten the listener’s sense of anticipation.

François’s playing—both delicate and bold—conveys the work’s dramatic allure in its entirety.

It is a superb performance I would recommend not only to classical music enthusiasts but to all music lovers.

Brave Rider from ‘Album for Children’Robert Schumann72rank/position

[Teacher Performance] Schumann: The Brave Rider, from “Album for the Young,” Schumann “Wilder Reiter” Album für die Jugend Op. 68
Brave Rider from 'Album for Children'Robert Schumann

This celebrated piece, distinguished by its exhilarating cascade of sounds and powerful rhythm, is included in the album “Album for the Young.” Composed in 1848 as a birthday present for his eldest daughter Marie, it lasts barely a minute yet displays remarkable musical richness and artistic sophistication.

Its energetic, staccato-driven phrases blend perfectly with the tension created by the key of A minor, vividly conjuring the image of a knight galloping on horseback.

Despite its simple structure, the work is highly expressive, making it ideal for those who want to captivate listeners in a short performance or who enjoy a robust, vigorous character.

It has also been selected as a set piece for international piano examinations and is beloved around the world.

Tufted puffinHakasé Tarō73rank/position

A beautiful instrumental piece inspired by the image of an auk swooping through the sky.

Taro Hakase’s emotionally rich violin weaves a grand melody that brilliantly captures the breath of nature and the pulse of life.

It was also used as the ending theme for the MBS/TBS program Jonetsu Tairiku, leaving a deep impression on many listeners.

The piece is notable for its structure: it begins in the calm of morning and unfolds as if depicting powerful, soaring wingbeats.

It’s a song to listen to when you’re about to take a new step forward or when you need courage.

Nocturne No. 8, Op. 27 No. 2Frederic Chopin74rank/position

Chopin: Nocturne No. 8 in D-flat major, Op. 27 No. 2 / F. Chopin: Nocturne No. 8, D-flat major, Op. 27-2
Nocturne No. 8, Op. 27 No. 2Frederic Chopin

A masterpiece by Frédéric Chopin that envelops the heart in an elegant, introspective atmosphere.

Its delicate melody evokes a quiet nightscape, punctuated by occasional surges of passion that leave a vivid impression.

Composed in 1836 and published the following year, this piece is among the most popular of Chopin’s nocturnes and is perfect for wedding performances.

Its gentle sonorities seem to bless the happy departure of the bride and groom, drawing guests into attentive silence.

The intimate ambiance unique to a solo piano work is part of its charm.

Pachelbel’s CanonJohann Pachelbel75rank/position

This is a work by Johann Pachelbel in which three violins play as if chasing a beautiful melody.

Its hallmark is the way the lines are layered upon one another.

Although there are no lyrics, the gentle, harmonious sonorities feel like a tender conversation, softly enveloping the listener’s heart.

Composed in the late 17th century, it became internationally famous after a June 1968 recording conducted by Jean-François Paillard.

It also gained wider recognition through its use in the 1980 film Ordinary People, and it’s now well known as wedding background music.

Its soothing, steady rhythm and seemingly endless, beautiful melody make it perfect for focusing on work or study.

It may be just the piece for those who want to clear their minds and approach things with calmness.

Sonatina No. 12, Movement IMuzio Clementi76rank/position

Sonatina No. 12 Sheet Music, Op. 36-6, First Movement – Sheet Music by M. Clementi
Sonatina No. 12, Movement IMuzio Clementi

Beginning with elegant and flamboyant arpeggios, this piece brims with the refinement and vitality of the Classical era.

The smoothly spun right-hand melody interwoven with the left hand’s graceful accompaniment forms a beautiful line filled with the brightness and hope reminiscent of spring’s arrival.

This work is included in Muzio Clementi’s 1797 collection Sonatinas Op.

36; Clementi is also known as the author of Gradus ad Parnassum.

Powerful phrases and delicate expression are harmoniously balanced, making it a popular choice for piano competitions and recitals.

With its four richly expressive sections that allow for a wide range of emotions, it is an ideal piece for players who wish to refine their technique while deepening their musicality.

String Quartet No. 1, Movement II: Andante cantabilePyotr Tchaikovsky77rank/position

Tchaikovsky: String Quartet No. 1, Op. 11: II. Andante cantabile
String Quartet No. 1, Movement II: Andante cantabilePyotr Tchaikovsky

A work noted for its simple, wistful melody said to be inspired by a folk song hummed by craftsmen.

Among the pieces in Tchaikovsky’s String Quartet No.

1, premiered in 1871, this second movement is widely known for the anecdote that the great writer Tolstoy was moved to tears by it.

The highlight is the warm tone of the cello singing the main theme, resonating quietly over delicate accompaniment.

It was also arranged in 1888 for cello and string orchestra, and in this new form it has continued to be loved for many years.

It’s perfect as gentle background music for focused study sessions or calm, late-night work.