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Japanese karaoke songs that are easy for men in their 60s to sing

This time, we checked out Japanese songs that are easy for men in their 60s to sing at karaoke! They’re known for being generally easy to sing, with comfortable pitch, tempo, and volume.

They could make a great addition to your repertoire.

Take this opportunity to use it as a reference!

Japanese karaoke songs that are easy to sing for men in their 60s (111–120)

MyselfNagabuchi Tsuyoshi

“Myself” is a track included on Tsuyoshi Nagabuchi’s 1990 album “JEEP,” which was also the first album he released in the 1990s.

While it’s not a particularly flashy song, its lyrics—reflecting Nagabuchi’s gentle gaze toward ordinary people—and its simple, beautiful melody make it a hidden gem that quietly moves the listener.

If you sing the verses in a conversational tone and pour more emotion into the chorus, you can bring out the atmosphere this song holds.

Mother’s SongNagabuchi Tsuyoshi

This is a warm, gentle song that looks back on the image of a mother who was always a source of strength while struggling after moving to Tokyo.

It is said to be based on Tsuyoshi Nagabuchi’s own experiences, and was included on the 2017 album “BLACK TRAIN.” The simple acoustic guitar and vocal style conveys the desire to deliver the lyrics straight and true.

The gentle, conversational tempo makes it easy to sing, and it may also be important to consider how to infuse the performance with one’s own feelings toward one’s mother.

Let’s be happyNagabuchi Tsuyoshi

The 36th single “Let’s Be Happy” stands out with its soulful choral work in the opening.

It’s the song Tsuyoshi Nagabuchi performed when he made his first appearance on the music program Music Station, and its message of pledging eternal love to a partner really stirs the heart.

Thanks to its simple melody, low key, narrow vocal range, and a very relaxed tempo, it’s quite approachable for karaoke.

However, the rhythm in the A section can be tricky to catch, so if you want to stick closely to the original feel, be sure to learn it well before singing.

It’s nothing good.Nagabuchi Tsuyoshi

The lyrics, sung over a simple 8-beat with a light acoustic guitar backing and a striking piano tone, depict the unique conflicts and impatience of adolescence, resonating with young people across generations.

Released as a single in 1987, “Rokuna Mon Ja Nee” served as the theme song for the drama Oyako Zigzag, in which Tsuyoshi Nagabuchi himself starred.

With its ultra-famous chorus that’s almost beyond words and the explosive moment where he shouts the title, it’s a masterpiece with tremendous impact.

It’s also a karaoke staple, so many people likely choose this one when singing a Nagabuchi song.

Since it doesn’t demand extremely high notes and is relatively easy to sing, it’s all the more important to dive in with the energy of fully becoming Nagabuchi himself!

CheersNagabuchi Tsuyoshi

Composed for a friend’s wedding and released as the title track of the third album, “Kanpai.” In addition to the original version, its inclusion in elementary school music textbooks and the many cover versions by various artists have made it a signature song loved by listeners across generations.

With a very relaxed tempo and a simple melody, anyone can sing it comfortably by setting it to a key that suits their voice.

It’s a heartwarming number that will get everyone excited when sung together at karaoke after an event.

cicadaNagabuchi Tsuyoshi

Tsuyoshi Nagabuchi – Semi (Cicada)
cicadaNagabuchi Tsuyoshi

This song portrays a man who, regretting his own weakness, strays onto a crooked path.

The “cicada” referenced in the title is used strikingly, evoking the sense of staking one’s life on a fleeting moment.

The powerful interplay between acoustic and electric guitars conjures the image of flames blazing in the heart.

Set to a rhythm that feels like a strong, steady stride, the lyrics are delivered with clear, deliberate enunciation—an approach that not only makes the song easier to sing but also amplifies its message.

Stay 19 forever

Still 19 - Shogo Hamada
Stay 19 forever

This song portrays emotional currents that are more than just regret over the passing of one’s youthful school days.

It’s included on the 1986 album “J.BOY.” The acoustic guitar tones and layered choruses emphasize a refreshing atmosphere and warmth.

The lightness of the vocals also seems to evoke a sense of youth, doesn’t it? The gentle tempo, which invites a slow look back on memories, makes it easy to sing—so try performing it while savoring those recollections.