[From timeless classics to the latest hits] A roundup of catchy commercial songs
When you watch TV or video sites, you come across all kinds of commercials, and sometimes a jingle you happen to hear just sticks in your head, right?
For example, many classic commercial songs that have been airing for years are incredibly catchy and memorable.
Also, tie-in songs by trending artists can leave a strong impression even within the short span of a commercial.
In this article, we’ll introduce a bunch of those earworm-worthy CM songs all at once!
You might find a track you haven’t heard on air much lately but have been wanting to hear again, or discover the latest song you were curious about and wondering who it’s by!
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[From timeless classics to the latest hits] A roundup of catchy TV commercial songs (581–590)
tinglingyuzu

In the JIM BEAM commercial featuring the duo Yuzu, it depicts people enjoying highballs outdoors.
Everyone is smiling and toasting, and you can really feel them making the most of summer.
Yuzu’s song “Shibireru” plays as the BGM, and the commercial also showcases plenty of scenes of the two singing.
It’s drawing attention as a new summer anthem that captures Yuzu’s signature freshness and exhilarating energy.
You Really Got MeThe Kinks

This is a commercial introducing the Nama-Jokki Can, which lets you open the entire mouth of the can so you can enjoy a taste as if you were drinking from a beer mug.
In this ad, of course it talks about how delicious Asahi is when drunk from the Nama-Jokki Can, but it especially focuses on that first sip.
After watching this commercial, there are probably quite a few beer lovers who immediately feel like having a drink.
The BGM features the upbeat, feel-good track “You Really Got Me.” Originally released by The Kinks in 1964, the song has been arranged in the commercial to feel even catchier.
Original songEgashira 2:50

Egashira 2:50, who has repeatedly eaten and openly declared his love for Gatsun to Mikan on his YouTube channel, appears as an illustration in the commercial.
Set to an original song he sings himself, the depiction of Egashira facing everything head-on with full force not only makes us laugh but also gives us courage.
It’s a commercial that stirs the heart with Egashira’s message: “Let’s live boldly!”
Kill This LoveBLACKPINK

This is an Asahi commercial that’s been drawing attention because it features members of BLACKPINK.
The ad announces a campaign where you can enter a lottery to win an original tumbler.
The design is especially appealing to fans, with not only the Asahi logo but also the BLACKPINK logo.
In addition to the members appearing in the commercial, one of their signature songs, “Kill This Love,” is used.
The powerful and striking intro instantly gets you pumped the moment you hear it.
Shine in the cruel nightLiSA

This commercial set in Tokyo Station is a collaboration ad between Demon Slayer: Kimetsu no Yaiba and Spotify.
Comparing Tokyo Station’s labyrinthine interior—often called a dungeon for its complexity—to the Infinity Castle, it humorously depicts a woman visiting from Kansai who gets lost.
She seems to be meeting someone, but can’t find the exit she’s aiming for and laments, “This place is the Infinity Castle!” It’s both a little pitiful and quietly amusing.
The BGM features Shine in the Cruel Night, the theme song for the Demon Slayer: Kimetsu no Yaiba The Movie: Infinity Castle Arc, sung by LiSA.
Many fans were likely moved by the lyrics, which seem to express the feelings of Tanjiro and his friends as they fight demons with hope in their hearts.
hometownH ZETTRIO

This commercial portrays JT’s stance on how to face changing times, set to light, uplifting music.
Centered on H ZETTRIO’s performance, the narration conveys thoughts on “change,” creating a positive tone.
The song that briskly lifts this thought-provoking theme is H ZETTRIO’s ‘Furusato.’ With an arrangement so sprightly you might not realize the original is a children’s song, it evokes a fun, nostalgic look back on one’s hometown memories.
MomotaroH ZETTRIO

This commercial portrays JT’s views on what changes and what remains unchanged, inspired by the concept of arranging timeless classics.
It alternates between H ZETTRIO’s performance and narration, and from the performers’ joyful expressions, you can sense a positive resolve to move toward the future.
The lively mood of the visuals is firmly supported by H ZETTRIO’s rendition of “Momotaro.” Precisely because the arrangement is boldly crafted to highlight the fun, it also conveys an attitude of embracing the pace of change with positivity.


