[Weber] Masterpieces by the founder of German opera
Carl Maria von Weber was a German composer, conductor, and pianist of the early Romantic period, born in 1786.
With his opera Der Freischütz, he established the style of German Romantic opera and came to be known as the “founder of German opera.”
He is also known for leaving a profound legacy for future generations, such as reorganizing the orchestra into a layout closer to the modern arrangement and being among the first to use a baton.
While he composed many operas and orchestral works, he also performed as a pianist and was considered one of the finest of his time.
In this article, we introduce some of Weber’s masterpieces and signature works.
Be sure to give them a listen!
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[Weber] Masterpieces by the Founder of German Opera (11–20)
Clarinet Petite ConcertoCarl Maria von Weber
A true masterpiece by a giant of German opera.
This celebrated work makes full use of the clarinet’s rich timbre and virtuosity.
It consists of three movements, each imbued with distinctive expression: the first is dramatically unfolding, the second features delicate melodies, and the third showcases dazzling technique.
Completed in May 1811 and premiered on June 13, it was an immediate triumph.
Highly recommended not only for clarinetists but also for anyone who wants to savor the orchestra’s sumptuous sonority.
Be sure to enjoy it in a performance by a master.
Little Horn ConcertoCarl Maria von Weber
Although the Horn Concertino in E minor was written before the valve horn became widespread, it demands a wide range of nearly four octaves, rapid passages, pedal technique, and other advanced skills, and is still known today as a difficult piece.
The performance is by Czech horn player Radek Baborák.
Sonatina from Six Easy Pieces for Piano Four HandsCarl Maria von Weber
Characterized by an elegant and lighthearted melody, this piece is one of the most approachable works in a set of six miniatures written for piano four hands.
Its bright, bouncing theme unfolds and, in the latter half, returns with subtle variations, giving the piece the charm of a small story.
Though simple, it demands rich expressiveness, making it perfect for those who want to enjoy piano duets.
It is a wonderful work that lets two performers breathe together and savor the joy of musical dialogue.
From the opera ‘Oberon’: ‘Ocean, thou mighty monster’Carl Maria von Weber
Known as one of Weber’s late masterpieces, the aria “Ocean! Thou Mighty Monster” from Act II of the opera Oberon vividly portrays the raging sea and the protagonist’s determination to face it, rendered exquisitely through music.
The grand orchestration and dramatic vocal lines leave a strong impression.
While conveying the sea’s power and terror, the piece also deftly depicts glimmers of hope, stirring the listener’s heart.
Highly recommended for those who enjoy the contrast between the forces of nature and human emotion.
Overture to the opera “Peter Schmoll”Carl Maria von Weber
An important early orchestral work composed by Weber at the age of fifteen.
It begins with a quiet introduction, presents a theme by the oboe, and then moves into a more dramatic development.
Notable features include the brilliant use of woodwinds and emotional contrasts, offering a glimpse of elements that would lay the groundwork for later Romantic music.
Its pursuit of colorful orchestral sonorities and depiction of dramatic progression reveals Weber’s innovativeness.
It is a narratively rich work themed around family love and the resolution of misunderstandings.
Andante and Hungarian-style Rondo in C minor, Op. 35Carl Maria von Weber
A masterpiece that captures the spirit of German music.
Written for bassoon and orchestra, this work consists of two parts: a wistful Andante and a lively Hungarian-style Rondo.
Composed in 1813 at the request of the Munich court orchestra, it beautifully blends sorrow and vitality, showcasing the bassoon’s full charm.
Recommended for those who want to savor the allure of Romantic music or have an interest in folk music.
Please enjoy the bassoon’s richly expressive performance and its superb harmony with the orchestra.
[Weber] Masterpieces by the Founder of German Opera (21–30)
Grand Duo Concertant for Clarinet and Piano, 3rd movementCarl Maria von Weber
From Grand Duo concertant for Clarinet and Piano in E-flat major, Op.
48 – Movement III: Rondo, Allegro (round dance, fast).
Features virtuosic fingering and a brilliant finale.
Clarinet by Paul Meyer; piano by Eric Le Sage.