A masterpiece with exhilarating high notes. An enchanting high-tone voice.
Even when we simply say “high-tone voice,” there are many ways to express it—from piercing high notes sung in chest voice, to a softer, more mature high tone that effectively uses mixed voice or falsetto.
In this topic, we’ve gathered a wide variety of songs that showcase the appeal of different high-tone voices, ranging from the latest trending tracks to timeless classics.
High-tone vocals are pleasant to listen to on their own, but once you can comfortably sing high notes yourself, you’ll discover even more ways to enjoy these songs.
We hope this can serve as practice material and a point of reference for those who want to learn how to sing in higher registers.
- [Feels Great to Listen To!] Popular Songs by Female Artists with Captivating High Notes
- Masterpieces by male artists known for their captivating high notes. Recommended popular songs.
- [High-pitched warning!] Songs with high notes that are hard to sing
- [Challenge] A Compilation of Anime Songs with High-Pitched Melodies and High-Tone Vocals
- Recommended karaoke songs for male vocalists with high voices
- 【2026】Recommended Enka by Male Singers with Captivating High Notes
- Songs with satisfying key changes: classic J-POP and Japanese tracks where the mood and impression shift naturally
- A collection of cool songs that sound great when sung by women, originally male songs
- A must-see for Gen Z men! Easy-to-sing songs by male artists for karaoke
- Summary of Vocaloid Songs Easy for Teenage Girls to Sing at Karaoke
- [Tearjerker] Songs that make your heart tremble with tears & moving tracks with lyrics that touch the soul
- [For Men] Mix Voice Practice Songs: Reference Tracks to Help You Hit High Notes More Easily
- Practice Songs Helpful for Learning Mixed Voice (Middle Voice) [For Women]
A masterpiece with exhilarating high notes. Enchanting high-tone vocals (171–180)
Rhapsody of Temptationgirudo

Released on New Year’s Day 2014, this is the 11th single by Guild, a Japanese visual kei band that’s often introduced as a junior group to Golden Bomber since they share the same agency.
I’ve worked with Guild’s singer, ryuichi—providing vocal coaching, or rather vocal production and training from the sidelines—and he’s incredibly hard-working.
During that time, his high-register range improved dramatically.
Of course, even before that he already had excellent vocal ability, and he’s an artist I’d highly recommend as a model for male amateur singers aiming for high tones.
As a band, Guild’s appeal also lies in their very technical performances, which are a joy to hear!
junkYonezu Kenshi

Kenshi Yonezu’s new song “Garakuta.” Recently, Yonezu has released a lot of downer-leaning tracks, but now he’s put out a song closer to his roots, reminiscent of “Lemon.” This piece is shaped around a classic J-pop melody.
It isn’t simply a straightforward high-note showcase, but the repeated switches between falsetto and chest voice in the chorus are breathtaking.
It’s delivered so smoothly that it feels excellent to listen to.
Definitely give it a try.
orbitTK from RIN TO SHITE SIGURE

From the very beginning, “orbit” unfolds with a melancholic tone, and you might wonder, “Maybe this song doesn’t have any death growls?”—but sure enough, they come in solidly in the latter half.
The vocal range is A#3–G5, and as you’d expect from TK, the high notes are extremely lofty.
When singing, it’s fine to use mostly falsetto, but the key is to avoid letting it become a weak falsetto.
If you keep singing in a weak falsetto, you’ll run out of breath as you go, and you’ll barely be able to pull off the death growls that come after the stronger falsetto in the second half! It’s actually easier if you project both your falsetto and your death growls more strongly from the vocal cords than you think.
Also, one of TK’s charms lies in the spacing between words when delivering the lyrics.
If you sing each word carefully, the sense of poignancy deepens and your voice becomes even more beautiful.
Bye-Bye to youUVERworld

Speaking of UVERworld’s songs, they tend to stay in the high register throughout.
This track, too, keeps high notes from start to finish, and the pitch moves up and down quite a lot, so if you’re not used to singing high, there’s a concern you might end up straining your throat.
The high note that pops up at the end of the chorus jumps to a C5, so it might be good to start by practicing just that part to hit it explosively.
To produce a powerful voice like vocalist TAKUYA∞, you need solid core support! If your body wobbles while riding a train or bus, it means your lower abdomen (tanden) isn’t engaged.
That will make your singing waver too, so try singing with firm strength in your lower abdomen.
It’s a difficult song, so don’t rush—practice steadily!
Watch me!YOASOBI

It’s such a lively, cheerful song, and ikura’s voice is super cute! It’s fun to listen to, but with a range of G3 to F5, it’s really tough to sing.
While some parts have very clear, easy-to-follow rhythm, there are also Vocaloid-like melodic lines that are very YOASOBI.
Especially in the A verse and the chorus, since they sit high, you’ll want to make the attack on the opening words crisp and clear.
To keep your voice steady, try engaging your glutes as you sing.
The B verse has fast melodies, so I recommend memorizing the lyrics before singing.
It’s an adorable song, so don’t go expressionless—keep your facial muscles lifted the whole time! And sing with a smile to keep your pitch from dropping.


