[Tchaikovsky] Pick up famous and representative pieces!
Pyotr Ilyich Tchaikovsky, a towering composer who represents Romantic-era Russia.
From ballet music such as Swan Lake and The Sleeping Beauty to works like the Piano Concerto No.
1 and several symphonies, he created numerous masterpieces that continue to be loved to this day.
Tchaikovsky’s music conveys richly colored, delicate melodies and a brilliant, dramatic musicality.
In this article, we introduce Tchaikovsky’s celebrated and representative works.
We’ve selected pieces ranging from famous tunes to lesser-known gems worthy of being called masterpieces—be sure to check them out!
- Rachmaninoff’s masterpieces. Recommended pieces by Rachmaninoff.
- Classical Masterpieces: Recommended Works You Should Hear at Least Once
- [Orchestra] Introducing famous and popular pieces
- Debussy’s masterpiece. Popular classical music.
- Bedřich Smetana: A selection of famous and representative works!
- Highlighting the masterpieces and popular works of Mikhail Glinka, the pioneering composer of Russian music
- Classic masterpieces recommended for women
- Rimsky-Korsakov’s Masterpieces | The Vividly Colorful World of Russian Music
- Robert Schumann | Introduction to his famous and representative works
- Masterpieces of Ballet Music: Introducing Classic Favorites
- Masterpieces of the Romantic Era: A sweeping introduction to soul-stirring, celebrated gems!
- Pick up Beethoven’s famous and representative works!
- Stravinsky’s masterpiece. Popular classical music.
[Tchaikovsky] Pick up famous and representative pieces! (111–120)
Waltz from Eugene OneginPyotr Tchaikovsky
Tchaikovsky is also a Russian composer.
He is famous for ballets such as Swan Lake and The Nutcracker, as well as for Symphony No.
6, but he also wrote many operas.
Eugene Onegin is the most frequently performed of the operas composed by Tchaikovsky.
“The Seasons” – 12 Characteristic Pieces, Op. 37bis: November “Troika”Pyotr Tchaikovsky
Pyotr Tchaikovsky’s The Seasons, Op.
37b, a musical depiction of the changing year in Russia.
No.
11, November: “Troika,” is known as one of the most famous pieces in the set.
While music that evokes autumn often tends to be subdued or tinged with melancholy, “Troika” is bright and lively.
It feels as if it’s waiting in anticipation for winter’s joyful events, like Christmas, brimming with excitement.
March from The NutcrackerPyotr Tchaikovsky
“March” from The Nutcracker.
This piece is often used in commercials and the like, so it features a series of familiar phrases right from the opening.
It’s under two minutes long, and since the main theme repeats, if you master the beginning well, you can turn it into a very satisfying performance.
Waltz of the Flowers from The NutcrackerPyotr Tchaikovsky
Speaking of stars of classical music, Tchaikovsky comes to mind.
Among his works, The Nutcracker is especially popular with women.
It’s frequently used in ballet productions and the story is a big favorite among female audiences.
The Waltz of the Flowers is particularly dazzling, and you can’t help but be captivated by it.
Dance of the Sugar Plum FairyPyotr Tchaikovsky
It’s the third piece in the ballet The Nutcracker, with a somewhat cute, charming feel.
It was composed by the Russian composer Pyotr Tchaikovsky, and its original title is “Dance of the Sugar Plum Fairy,” but since that title isn’t commonly used in Japan, this one has become standard.
In America, it’s known as the Sugar Plum Fairy, and since The Nutcracker is set on Christmas Eve, where the protagonist Clara has a wondrous, dreamlike experience, it could also work well as background music for a mysterious scene.
Ballet Suite The Nutcracker No. 5: Arabian DancePyotr Tchaikovsky
Under the faint glow of moonlight, in some far-off desert, a beautiful princess riding a camel slowly makes her way into the distance…
Such a romantic scene springs to mind.
It’s a quiet masterpiece—gentle, yet imbued with a hint of alluring mystique.
Piano Concerto No. 1 in B-flat minor, First MovementPyotr Tchaikovsky
Tchaikovsky, a composer who represents Russia in the 20th century.
This piece is composed in a free form that does not adhere to the traditional concerto structure throughout.
It opens majestically, with the piano striking heavy, bell-like chords.
The playful, rhythmic melody that follows is said to be taken from a folk song heard in Ukraine.
Partway through, the mood shifts dramatically to an emotional melody, after which the piano and orchestra press forward with powerful energy in dialogue.
Be sure to listen for the grand cadenza, rich in delicate expression!
