A web magazine to help you enjoy the piano even more

Masterpieces of classical piano that are too beautiful for words. A gathering of delicate tones that cleanse the soul.

Graduated from a music school / 21 years of piano experiencesatomi
I began playing the piano at the age of four and spent six years at a conservatory, focusing mainly on classical music while honing my skills. In addition to solo performance, I studied extensively in chamber music and two-piano repertoire, and I had the opportunity to perform twice on stage as a soloist in piano concertos. While not to the same extent as classical, I also learned jazz and pop through practical performance. I was active as a pianist in various settings, including instrumental and vocal/choral accompaniment, performance assistance for other departments, and recording sessions. Beyond the piano, I devoted five years to the trombone in a wind ensemble. I hope to draw on these experiences to share the charm of music with many people.
Accompanist / Piano Instructoryuri
Accompanist pianist × piano instructor × web writer. I began piano lessons at age four and, inspired by my piano teacher, decided to pursue music. I went on to specialized music programs in high school and university, where I discovered the appeal of accompanying instrumentalists and singers. Currently, alongside teaching piano, I work mainly in my home region of Aichi as an accompanist for flute, voice, choir, and more. Through lessons, my students often introduce me to trending songs, and my hobby is trying anything on the piano—Japanese and Western pop, commercial jingles, and beyond. Since 2021, I’ve also been active as a web writer, covering music and a variety of other genres.

The piano is a captivating instrument that transforms into a variety of expressions depending on the performer and the manner of interpretation.

Its delicate yet dynamic grace and its ineffable depth—paired with a vast palette of tones and rich resonance—are said to rival an entire orchestra with a single instrument.

This time, from among works that allow you to fully savor the piano’s timbre, we have selected pieces with a focus on “beauty.”

Whether you love to play the piano or to listen to it, we hope you will immerse yourself in its allure, savoring each delicate note one by one.

Masterpieces of classical piano that are too beautiful for words: a gathering of delicate, cleansing tones (101–110)

La CampanellaFranz Liszt

Aya Nagatomi / La Campanella – Grandes études de Paganini No. 3

La CampanellaFranz Liszt

The delicate melody, modeled after the sound of bells, is striking, with beautiful leaps and ornaments in the high register resonating throughout.

The piano piece, revised in 1851, is characterized by passionate expressiveness that embodies the essence of Romantic music and by virtuosic performance demands.

Inspired by Niccolò Paganini’s playing in 1831, Franz Liszt arranged the theme of a violin concerto for piano.

Frequently used as background music in films and television shows, it has captivated many listeners.

This work is recommended for those who want to study in a quiet environment with focus.

Its bell-like, transparent timbre will calm the mind while maintaining a moderate sense of tension.

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Piano Sonata No. 8 “Pathétique,” Second MovementLudwig van Beethoven

Piano Sonata No. 8 “Pathétique” Second Movement – Beethoven — Beethoven – Pathétique Piano Sonata No. 8 Op. 13-2 – Classical Piano – CANACANA

Piano Sonata No. 8 “Pathétique,” Second MovementLudwig van Beethoven

Characterized by a gentle, song-like melody, this piece unfolds at a relaxed tempo in A-flat major and 2/4 time.

Structured in ternary form, it draws out a lyrical charm through the recurring, simple yet emotionally rich main theme.

Beyond its evocative use in the film “Immortal Beloved,” its melody is also quoted in Billy Joel’s “This Night,” reflecting a crossover with pop music.

While expressive and richly nuanced, the work is not overly demanding technically, making it suitable even for upper elementary school recital programs.

Its calm atmosphere belies its musical depth, making it an ideal choice for those who wish to study music earnestly.

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Petite Suite: I. En bateauClaude Debussy

Debussy: Petite Suite: I. [En bateau] [Naxos Classical Curation #Healing] / Debussy: Petite Suite I. En bateau

Petite Suite: I. En bateauClaude Debussy

In the heat of summer, let me introduce a piano duet by Claude Debussy that feels like a refreshing breeze for the soul.

First performed together by Debussy and his publisher’s representative in February 1889, this work opens a suite of four short pieces.

Its gentle, beautiful melody evokes a small boat gliding serenely over the water—utterly enchanting.

Though it has no lyrics, it is said to have been inspired by poems of Verlaine, and it conjures images of a boat drifting under moonlight, along with an elegant atmosphere from a distant era.

The shimmering piano timbres wrap the listener in a pleasantly cool calm.

The orchestral version is also well known, offering an even richer palette of colors, and you might even hear it as background music in public spaces.

Do give it a listen when you’re a bit worn out from the heat or when you want to settle your mind in quiet.

As Debussy intended for the salon—‘not too heavy and not too short’—it allows you to slip easily into a graceful mood.

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Summer MorningHeino Kasuki

Summer Morning (composed by Kaski) Pianist: Kanako Ishihara — Sommermorgen (Kaski) / Kanako Ishihara -Purenist-

Summer MorningHeino Kasuki

How about a piano piece brimming with refreshing clarity—one that makes you want to take a deep breath in the shimmering light of an early summer morning? Composed by Heino Kaski and known as Op.

35-1 “Summer Morning,” this work is said to have been written in the early 1920s.

It features a crystalline transparency that evokes the pure air of the Nordic countries, along with a gentle yet deeply affecting lyricism.

Delicate trills sparkle like dappling sunlight through leaves, inviting the listener into a state of pleasant ease.

It’s a captivating piece woven by Heino Kaski.

Highly recommended for those who want a cool, soothing moment in the heat of the season, or who wish to quietly immerse themselves in a beautiful melody.

Listening to this work will help you forget the busyness of everyday life.

You can also experience its charm on pianist Izumi Tateno’s album “Piano Works.”

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Barcarolle No. 4 in E-flat major, Op. 36Gabriel Fauré

Fauré, Nocturne n. 4 in E flat major, op. 36

Barcarolle No. 4 in E-flat major, Op. 36Gabriel Fauré

This is a beautiful work in which warm harmonies and Fauré’s distinctive melodies blend exquisitely within a gently flowing atmosphere.

Published in 1884 by the French publisher Hamelle, the piece was dedicated to his friend, the Countess of Mercy-Argenteau.

The descending perfect fourth that evokes the sound of bells is striking, and the serene mood is superbly fused with lyrical expression.

The middle section introduces a minor-key episode, creating a pronounced contrast with the tranquil opening.

Technically, its relaxed tempo makes it approachable, allowing performers to explore Fauré’s sound world while practicing.

Highly recommended for those who wish to experience the elegance and delicacy of French music.

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