Catchy commercial jingles. A roundup of those songs grabbing attention in ads!
When you’re watching TV or browsing the internet, you often come across commercials, and I’m sure many of you have had a song from one of them get stuck in your head.
In this article, we’ll introduce lots of noteworthy CM (commercial) songs—whether it’s a tune you can’t quite name but can’t stop thinking about, or a song you only heard a snippet of in the ad and want to listen to in full.
Along with the latest tracks, there are also cases where songs from the Showa and Heisei eras are being used again today, so reading this article could be your chance to discover a wide range of music! Let’s dive right in!
- [From timeless classics to the latest hits] A roundup of catchy commercial songs
- Catchy Showa-era commercial jingles. Introducing famous songs recently featured in commercials, too!
- Unforgettable! Memorable commercial jingles. Popular commercial songs.
- Funny commercial song. Popular funny commercial songs.
- [I want to listen again!] Popular beer commercial songs. All-time CM songs [2026]
- [Topic] An ultra-stylish commercial jingle: the secrets behind the catchy track
- Catchy Commercial Jingles and Ad Songs Featured on YouTube Shorts
- Heartwarming nostalgic commercial jingles: a special collection of timeless hits that take you back.
- Cosmetics commercial song. Popular commercial jingle.
- [Nostalgic Commercials] A compilation of commercials that aired in the Showa era
- [April 2026] Summary of the Latest Trending Commercial Songs
- Coca-Cola commercial song. A popular jingle.
- Complete collection of car commercials and commercial songs. A comprehensive showcase of CM/ads and CM songs for domestic and foreign car brands.
Catchy Commercial Jingles [July 2025] (11–20)
destructionNEW!tota
This commercial highlights the effectiveness of Ora²me through the appearances of cast members from the dating reality show “Kyo, Suki ni Narimashita.” The story unfolds with someone becoming self-conscious about tooth stains during lunch, then resolving the issue with Ora²me, showing how a bright smile leads to positive days—all portrayed with a cheerful vibe.
The song that accentuates the light, everyday atmosphere captured in the visuals is Tota’s “Metubou” (“Destruction”).
Its airy sound, incorporating digital tones, is striking, and together with the brightness of the vocals, it creates a uniquely distinctive world.
LOVE MachineNEW!Mōningu Musume.
In the AEON Pay introductory commercial that premiered in March 2026, Taiyo Sugiura, Nozomi Tsuji, and their eldest daughter, Noa, appear together.
The ad features all of them singing and dancing while encouraging viewers to download AEON Pay.
The song used is a parody of Morning Musume’s signature hit “LOVE Machine,” a group that Tsuji once belonged to.
Released in 1999, the track took the era by storm with its distinctive dance and melody.
Y.M.C.A.NEW!Village People
In a lovely study bathed in sunlight, Bakarhythm is doing desk work.
While sitting in his chair and quietly continuing his tasks, he takes a hearty swig of Healthia.
With a sound effect, music begins to play and the tagline “Believe it or not, I’m burning fat right now” appears.
It clearly promotes the idea that drinking it helps reduce visceral fat.
The background music is an instrumental cover of Village People’s “Y.M.C.A.” In Japan, the version famously covered by Hideki Saijo in 1979 is well known.
Hashimoto Eriko
After the COVID-19 pandemic, we’ve entered an era where we can manage without meeting people in person—through remote work, virtual drinks, and the like.
Yet precisely because of this era, the narration by Nicole Fujita tells us how important the feeling of “wanting to meet” is.
In the latter half of the commercial, 8×4 Aroma Switch is introduced so that when you do meet people, you can keep your skin smooth and sweat under control.
It’s a beautifully crafted ad that makes you want to see someone special.
The BGM features a track by Eriko Hashimoto, known as the vocalist of Chatmonchy.
The song’s lyrics, like the commercial’s theme, express the desire to meet.
As of the commercial’s release, details about the song haven’t been revealed, so we can look forward to the information being announced.
Not AINEW!SIRUP
SIRUP’s “Not AI,” released in 2026, is a track that seems to express a world where digital technology is advancing through its powerful sound.
The structure—pounding, resonant beats, sprightly sounds layered on top, and repeating vocals—also conveys a digital vibe.
The song was featured in the 2026 commercial for the Professional University of Information and Management for Innovation (PUIM), aligning the indispensable digital technologies for humanity with the music to make its appeal.
It evokes an image of progress toward the future, connecting the trajectory of digital development so far with the evolution of technologies to come.
Original songNEW!U-zhaan to xiangyu
This commercial expresses Fukushima Computer System’s message, “The future we create will evolve beyond imagination,” through light, buoyant music and vocals.
It features a structure where U-zhaan’s tabla overlaps with xiangyu’s rap, creating a unique world while maintaining a sense of lightness.
The tabla resonates as if it is singing rather than merely accompanying, which seems to enhance the rap layered on top.
Portraying the company’s spirit of taking on challenges—let’s try it, let’s make it—the piece conveys a strong will to move toward the future.
Catchy Commercial Jingles [July 2025] (21–30)
cherry blossomNEW!Ketsumeishi
Ketsumeishi’s “Sakura,” released in 2005, is a song that layers the image of cherry blossoms heralding the arrival of spring with unchanging memories.
While incorporating expansive tones of piano and strings, the rhythm is solidly marked, and the rap parts are clearly emphasized.
The spring imagery surrounding sakura and the expressions of memories are striking, conveying a bittersweet mood while also expressing the warmth of spring.
The song was also used in a 2026 McDonald’s commercial promoting the Bacon Potato Pie, and a notable point is that Emi Suzuki—who appeared in the music video—appeared in the commercial as a mother.
The visuals also consciously reference the music video, firmly depicting the unchanging scenery of spring.