Unforgettable! Memorable commercial jingles. Popular commercial songs.
“Once you hear it, you never forget!” “It keeps replaying in your head.” Do you have a song like that?
In particular, many of the songs used in TV commercials leave a strong impression on us in just a few seconds to a few dozen seconds.
In this article, we’ll introduce memorable CM songs that, for some reason, really stick in your ears!
We’ve picked out a variety of tracks across eras, from long-familiar tunes to recent buzzworthy CM songs.
See if you can find the ones that left a mark on you.
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Memorable Commercials [July 2025] (391–400)
Past LivesBØRNS

This commercial uses cinematic visuals to convey that, by making the most of Amazon Prime, you can get closer to your ideal self and enrich your everyday life.
It focuses on a woman’s daily routine: she envies someone she sees, feels encouraged by the imagery, and then dresses herself up beautifully—expressing an upbeat, forward-looking mood.
The song that further accentuates this positive atmosphere is “Past Lives” by BØRNS.
Its structure is striking, with a floating, airy sound gradually joined by a stronger rhythm, and the layered, translucent vocals create a fresh, uplifting feel.
Memorable Commercials [July 2025] (401–410)
Baby Let’s GoTiko Tiko

This is a commercial from Lumine, which operates station-building shopping centers and fashion buildings, expressing its commitment to supporting individuality.
It depicts Kiala Nakanishi in an autumn setting, and you can sense her kindness from the way she smiles while trying to retrieve a balloon caught on a branch.
The music that further accentuates the calm atmosphere conveyed by the visuals is “Baby Let’s Go.” The gentle vocals layered over the airy sound are striking, and the pronounced rhythm makes the lightness all the more palpable.
Hirahira × Tokimekinaniwa danshi

The SoftBank commercial introducing the Google Pixel 10 and Pixel Watch 4 features the members of Naniwa Danshi.
While showcasing the functionality of the Pixel 10 and Pixel Watch 4, it shows the group visiting a cottage by a lake.
Playing in the background of this fun commercial is their song “Hirahira × Tokimeki.” Debuting in this CM, the track has a refreshing vibe that’s very characteristic of them.
Love will winKAN

This commercial portrays a unique world where Oronamin C is projected into the night sky by drones, expressing a fun, energetic vibe.
Shown in a setting reminiscent of a fireworks festival, the appearance of Oronamin C and the ensuing excitement of the crowd convey a positive atmosphere.
In this scene, the audience sings together to KAN’s song “Ai wa Katsu” (“Love Will Win”).
It’s one of KAN’s signature tracks, and its powerful vocals over a bright, uplifting sound convey a sense of forward momentum.
Get WildTM NETWORK

This is a commercial that introduces what Car Sensor is, set in a world reminiscent of City Hunter.
Nana O plays it stylishly, interweaving illustrations as she takes on a bulletin board request to “find a used car.” When Robert Akiyama performs similar moves, he does them in an exaggerated way to create a humorous contrast.
TM NETWORK’s “Get Wild” further amplifies the stylish mood of the visuals.
Well-known as the theme song of City Hunter, the track’s cool sound evokes the lights of the city at night, and its gradually building arrangement is a major part of its appeal.
SeptemberEarth, Wind & Fire

This commercial highlights the excitement that comes from having Hon-Kirin, conveyed through the presence of Alice Hirose and Yosuke Eguchi.
Set during a cruise where they enjoy Hon-Kirin, the two actors’ smiles and the depiction of the breeze effectively communicate a refreshing feeling.
Further enhancing the fresh atmosphere of the visuals is the song “September” by Earth, Wind & Fire.
With its striking blend of light, buoyant instrumentation and vocals, along with a rhythm that makes you want to move, it conveys a sense of positive fun.
Original songHatis Noit

This commercial showcases MUJI’s desire to become something as familiar and essential to people as water and air.
It depicts fabric catching the wind in various places—Japan, Italy, Thailand, India, Bulgaria, Greece, and more—conveying the wish to be like that gentle breeze.
What accentuates the film’s unique worldview, its softness and calm, is an original song by Hatis Noit.
Beginning with phrases reminiscent of vocal exercises, the piece unfolds into an expansive, soaring voice, whose transparency creates a floating sensation.
The arrangement featuring only the voice resonating is also a key element in conveying the gentle atmosphere.


