A masterpiece by Franz Liszt. Popular classical music.
We introduce the masterpieces of Franz Liszt, who was born in Hungary and was active across Europe, including Germany and Austria.
From the works of Liszt—renowned as a pianist and also a composer for famous pieces such as La Campanella and Liebesträume—we present recommended and representative masterpieces, including not only piano works but also symphonic pieces performed by orchestra.
Please enjoy the many wonderful masterpieces by this composer, known as the “Magician of the Piano” for the anecdote that he could sight-read and master any piece.
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Masterpieces by Franz Liszt. Popular classical music (71–80)
Prelude and Fugue on the Name B-A-C-HFranz Liszt
A piece that radiates the commanding presence of the pipe organ.
Its solemn resonance and sacred atmosphere leave a strong impression.
Composed by Franz Liszt between 1855 and 1856, this work pays homage to Bach by using the notes B-A-C-H as its main theme.
It exploits a wide range from low to high registers and demands virtuosic performance with dense chords and arpeggios.
There are both organ and piano versions, each deeply satisfying to hear.
Why not surrender yourself to the overwhelming waves of sound reverberating through a church or concert hall? It’s a piece that lets you fully savor the allure of classical music.
Grandes études de Paganini, S.141 No. 3 “La Campanella”Franz Liszt
La Campanella, the third piece from Transcendental Etudes after Paganini S.141, is known as a notoriously difficult work.
A masterpiece by Franz Liszt, it is striking for its highly challenging, intricate structure and performance impact worthy of its difficulty.
One of its great attractions is the dramatic, grandiose playing that emerges toward the end.
Thanks to its highly accessible melody, even those uninterested in classical music are likely to be moved.
Not only the performance but also the sheet music itself leaves a strong impression, so if you can read music, be sure to take a look at the score as well.
Grandes études de Paganini, S.141 No. 3 “La Campanella”Franz Liszt
When it comes to Franz Liszt’s works with the highest difficulty, many people probably think first of the Grandes études de Paganini, S.141 No.
3 “La Campanella.” It’s for ultra-advanced players and is renowned for its overwhelming difficulty.
There are, of course, other challenging pieces, but few high-difficulty works achieve as much dramatic performance impact as La Campanella.
It’s a hellish piece for performers, but for listeners, it’s a supreme masterpiece.
Franz Liszt’s masterpieces: Popular classical music (81–90)
Grandes études de Paganini No. 3 “La Campanella”Franz Liszt
When it comes to famous piano pieces by the Hungarian composer Franz Liszt, “La Campanella” immediately comes to mind! It’s also well known through performances by Ingrid Fujiko Hemming.
The title means “The Little Bell,” and it’s a masterpiece that many classical pianists dream of playing at least once.
The famous opening phrase features very wide leaps and demands precise touch.
Although it’s an extremely difficult piece, with persistent practice you can gradually bring it together.
Why not build your skills steadily and patiently, and master this challenging work?
Grand Études after Paganini No. 3 “La Campanella,” S.141Franz Liszt
Known as an exceptionally difficult piece, Grandes études de Paganini No.
3 “La Campanella,” S.141 is, needless to say, one of Franz Liszt’s masterpieces.
One of the elements that raises this work’s difficulty is the leaps! Fast passages with leaps appear frequently in Liszt’s works, but La Campanella is in a class of its own.
You must thoroughly memorize it and practice the sections where the left and right hands move far apart.
Furthermore, because there are simply so many extremely fast passages, it’s crucial to build solid technique through patient, careful practice.
Grandes études de Paganini, S.141 No. 3 “La Campanella”Franz Liszt
When people hear “a difficult piano piece,” many probably picture La Campanella.
This work was composed by the great Franz Liszt, famous for leaving behind numerous piano pieces that demand transcendental technique.
Its difficulty is extremely high, and performing it solidly at a proper level is challenging even for advanced players.
In particular, the abundance of repeated notes and wide leaps on the keyboard is astounding, and on top of that, it requires a high degree of expressive ability.
If you can perform this piece well, you can proudly call yourself a skilled pianist without any problem.
Piano Sonata in B minor, S.178Franz Liszt
Liszt’s works have structures and developments that are quintessentially Lisztian.
Among them, the Piano Sonata in B minor, S.178, is one of the pieces that is particularly “Liszt-like.” Although it is somewhat easier compared to the Transcendental Études, it still ranks among the upper tier of advanced repertoire, demanding a wide range of techniques—from massive fortissimo repeated chords to extremely rapid passages.
It may look simple on the score, but once you actually play it, you’ll find it to be a challenging work.