A masterpiece by Franz Liszt. Popular classical music.
We introduce the masterpieces of Franz Liszt, who was born in Hungary and was active across Europe, including Germany and Austria.
From the works of Liszt—renowned as a pianist and also a composer for famous pieces such as La Campanella and Liebesträume—we present recommended and representative masterpieces, including not only piano works but also symphonic pieces performed by orchestra.
Please enjoy the many wonderful masterpieces by this composer, known as the “Magician of the Piano” for the anecdote that he could sight-read and master any piece.
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Franz Liszt's masterpieces: Popular classical music (51–60)
Grand Etude No. 6 “Theme and Variations” by PaganiniFranz Liszt
Using the melody that begins the piece as its main theme, this work unfolds while constantly shifting character.
It is so famous that many people may feel they have heard it even if they do not recognize its name.
Originally an extremely difficult piece for violin, it was arranged by Liszt into a set of variations for piano that faithfully reproduces even the technical challenges of the original.
Dance at the village tavernFranz Liszt
Starting with a lively rhythm that conjures vivid images of ringing voices, the graceful dances of the ballerinas, and villagers chatting with drinks in hand, this piece could well be called one of Liszt’s hidden gems.
It was actually featured in the drama Nodame Cantabile, so many of you may have heard it before—but I highly recommend listening to it in full.
Years of Pilgrimage, First Year: From Switzerland – HomesicknessFranz Liszt
This track pairs well with reading; its meltingly smooth piano tones feel natural to the body.
Even if you’re not very familiar with classical music, you can simply let it play in the background and enjoy its pleasures—it’s perfect for studying, too.
Liebestraum (Dream of Love)Franz Liszt
This masterpiece was crafted by Franz Liszt, a composer emblematic of the Romantic era.
It originally consisted of a set of three songs, which Liszt himself arranged for solo piano in 1850.
The work’s appeal lies in its harmony of virtuosic elements and romantic tone colors.
Its beautiful melodies, which touch the listener’s heart, offer performers rich opportunities for expression.
It is said to reflect Liszt’s experiences in love and his feelings at the time, prompting reflection on the importance—and the limits—of love.
A highly recommended piece for anyone who loves the piano.
Franz Liszt’s masterpieces: Popular classical music (61–70)
Two Legends, S.175 No. 2: St. Francis of Paola Walking on the WavesFranz Liszt
Franz Liszt, celebrated for his dazzling and passionate performances, devoted himself deeply to religious themes in his late works.
This piece is a mystical portrayal in music of the legend of Saint Francis of Paola crossing the sea by miracle.
It features quintessential Lisztian dramatic writing throughout, such as tremolos evoking a raging sea and a sublime principal theme.
Composed between 1862 and 1863, it belongs to a period when Liszt’s faith had grown stronger.
Highly recommended for those who wish to savor a quiet sense of religious awe.
Why not listen to it on a tranquil summer night, feeling a cool breeze?
Three Concert Études, S.144 No. 2 “Lightness”Franz Liszt
Liszt composed numerous fearsomely difficult études.
The Transcendental Études and the Grandes études de Paganini are famous, but this time I’d like to introduce an étude with a salon character.
That is Trois études de concert, S.144 No.
2, “La leggierezza.” Its striking design shifts from triplets to septuplets, and the right hand is packed with a variety of techniques.
In terms of concrete difficulty, it’s roughly on par with the first half of Czerny’s Op.
740.
It’s unquestionably advanced, so be sure to check it out.
Three Concert Études, S.144/R.5, No. 3 “Un sospiro”Franz Liszt
A gentle, serene melody—like carefully threading words one by one—rests over quietly rippling arpeggios in this poetic and beautiful work by Franz Liszt.
Composed between 1848 and 1852, it is among Liszt’s most popular pieces and is often programmed in concerts.
Though technically demanding, the smooth crossing of the hands is itself beautiful, giving the piece strong visual impact.
It is a quintessential Liszt work, uniting virtuosity with artistry, worthy of the “magician of the piano.” It is a piece to be played with ample singing tone and deep emotional expression.