RAG MusicClassic
Lovely classics

A masterpiece by Franz Liszt. Popular classical music.

We introduce the masterpieces of Franz Liszt, who was born in Hungary and was active across Europe, including Germany and Austria.

From the works of Liszt—renowned as a pianist and also a composer for famous pieces such as La Campanella and Liebesträume—we present recommended and representative masterpieces, including not only piano works but also symphonic pieces performed by orchestra.

Please enjoy the many wonderful masterpieces by this composer, known as the “Magician of the Piano” for the anecdote that he could sight-read and master any piece.

Franz Liszt’s masterpieces. Popular classical music (91–100)

Years of Pilgrimage, Second Year – Supplement: “Venice and Naples,” S.162, No. 3: “Tarantella”Franz Liszt

List: Years of Pilgrimage, Second Year – Supplement “Venice and Naples,” S.162/R.10, A197 3. “Tarantella” Shogo Tsukada
Years of Pilgrimage, Second Year – Supplement: “Venice and Naples,” S.162, No. 3: “Tarantella”Franz Liszt

Franz Liszt’s work “Années de pèlerinage, Supplement to Year II: Venezia e Napoli, S.162 – No.

3, Tarantella” could be called the culmination of his oeuvre.

Composed intermittently from his twenties through his sixties, it allows listeners to experience the transition from Romanticism to Impressionism.

As one would expect from a work by Liszt, it boasts a high level of difficulty.

The sections with continuous, intricate ornamentation are extremely challenging, but because they are also highly effective in performance, the piece is exceptionally captivating to listen to.

Years of Pilgrimage, Third Year, No. 1: Angelus! Prayer to the Guardian AngelsFranz Liszt

F. Liszt: Angelus! Prayer to the Guardian Angels, S.163 No. 1 (Miyuki Brummer) — F. Liszt: Angelus! Prayer to the Guardian Angels (Years of Pilgrimage)
Years of Pilgrimage, Third Year, No. 1: Angelus! Prayer to the Guardian AngelsFranz Liszt

We present a late work by Franz Liszt.

Born in 1811 in Hungary, Liszt was an outstanding musician renowned for his transcendental piano technique.

This piece, begun in 1877, is imbued with a religious character.

Amid its serene atmosphere, one senses Liszt’s inward exploration.

The opening, with its ambiguous tonality, leaves a striking impression and creates an enigmatic mood.

Dedicated to Liszt’s granddaughter, the work expresses a longing for religious peace.

It is recommended both for those wishing to develop their pianistic technique and for listeners seeking to experience the spiritual depth of Liszt’s music.

Forgotten Waltz No. 1Franz Liszt

Forgotten Waltz No. 1 (Liszt) — Valse oubliée No. 1 (Liszt)
Forgotten Waltz No. 1Franz Liszt

A jewel-like miniature left by 19th-century master Franz Liszt.

Composed in July 1881 during his later years, Liszt—also renowned as a Hungarian-born virtuoso pianist—crafted this roughly three-minute piece in which graceful melodies intertwine with bold harmonies, distilling his mature musical voice.

Its floating sonorities are exquisitely balanced with elements of a conventional waltz, evoking nostalgia for a bygone era.

With a difficulty level approachable for intermediate pianists, it serves as an excellent gateway into Liszt’s world.

Liebestraum (Dream of Love)Franz Liszt

Tried playing “Liebesträume” again / Liszt / Liebesträume No. 3 / piano / CANACANA
Liebestraum (Dream of Love)Franz Liszt

This masterpiece was crafted by Franz Liszt, a composer emblematic of the Romantic era.

It originally consisted of a set of three songs, which Liszt himself arranged for solo piano in 1850.

The work’s appeal lies in its harmony of virtuosic elements and romantic tone colors.

Its beautiful melodies, which touch the listener’s heart, offer performers rich opportunities for expression.

It is said to reflect Liszt’s experiences in love and his feelings at the time, prompting reflection on the importance—and the limits—of love.

A highly recommended piece for anyone who loves the piano.

Liebesträume No. 2: ‘I Am Dead’Franz Liszt

List: Liebesträume — Three Nocturnes, S.541, R.211 No. 2 “I Have Died” Pf. Mikhail Kandinsky: Mikhail Kandinsky
Liebesträume No. 2: 'I Am Dead'Franz Liszt

When it comes to Franz Liszt’s Liebesträume, No.

3—set to Ferdinand Freiligrath’s poem “O lieb, so lang du lieben kannst”—is the famous one.

But No.

2, “Ich bin gestorben,” set to a poem by the German poet Ludwig Uhland, is also a stunning hidden gem.

Unlike the flowing No.

3, No.

2 unfolds as if savoring heartfelt emotion—this is its distinctive character.

Because you must play with awareness of the resonance of each individual note, following the notes themselves is relatively easy, but there is a demanding difficulty in that nothing can be glossed over.