[au Commercial] Songs Featured in the Commercials. A History of CM Songs [2026]
As a major mobile carrier beloved by many users for years, au has aired countless commercials.
In the 2000s, during the heyday of feature phones, they rolled out LISMO, a service that let you listen to music on your phone, and their commercials featured songs by many popular artists.
In this article, we’ll introduce not only those nostalgic classics but also the songs used in the latest commercials.
See if you can find the tunes you heard on TV or those memorable old commercial jingles!
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[au Commercials] Songs Featured in the Ads: All-Time CM Themes [2026] (111–120)
Piano Sonata No. 11 in A major, Op. 311, Third Movement “Turkish March”Wolfgang Amadeus Mozart

This is a commercial introducing Security Pack Plus, one of SoftBank’s optional services.
There are three versions of the commercial, each highlighting features that detect spam emails, nuisance calls, and scam websites.
The background music is Mozart’s Turkish March.
As one of Mozart’s most famous works, many people have likely heard its phrases before.
[au Commercials] Songs Featured in the Ads. All-time CM Songs [2026] (121–130)
Heaven and HellJacques Offenbach


Titled “Family Smart Race,” this series of commercials from Docomo showcases the convenience of smart devices like tablets, smartwatches, and wireless earbuds.
In each ad, the Suzuki family—adept at using smart devices—competes against the Sato family, who only have a smartphone.
The Suzukis win every match, but the Satos still look like they’re having fun, which is quite heartwarming.
The background music is an arrangement of ‘Infernal Galop’ (commonly known as ‘Offenbach’s Can-Can’), a staple at school sports days.
Whiplashaespa

This is a commercial depicting interactions between aespa and their fans, leveraging features built into Android.
Convenient functions like the AI Gemini and Circle to Search are showcased to the fullest.
The background music is aespa’s “Whiplash,” a 2024 release characterized by an uptempo four-on-the-floor beat, resulting in a danceable and aggressive atmosphere.
Words are triangular, hearts are square.Kafu

This is a commercial that announces UQ’s Parent-and-Child Support Discount while portraying the everyday lives of high school students.
Four versions of the commercial have been released, each depicting ordinary yet irreplaceable daily moments.
The footage is so lovely that just watching it gives you a bittersweet feeling of youth, so I hope not only students but adults as well will give it a look.
It’s also wonderful how they express data capacity as the “amount of memories.” The BGM features a cover by virtual singer KAF of “Kotoba wa Sankaku Kokoro wa Shikaku.” It’s one of Quruli’s signature songs, and its lyrics are captivating in the many stories they let you imagine.
Can’t Stop Looking At It (feat. Daisha McBride)Friend of Friend


This commercial introduces the various features of the Google Pixel 9 Pro by showing them in action.
The AI capabilities are particularly striking, depicting AI-powered photo editing and Gemini helping to resolve problems.
Enhancing the ad’s stylish vibe is the track “Can’t Stop Looking At It (feat.
Daisha McBride).” Its powerful, resonant rhythm and layered percussion create an impressive sound, and the addition of light, agile vocals brings a brightness and stylish feel that evokes South America.
Vissi d’arte, vissi d’amore from the opera ToscaMaria Callas


This is a series of commercials introducing the AI-powered features of the Galaxy S24 Ultra.
The ads clearly highlight unprecedented capabilities, such as being able to search just by drawing a circle around an object on-screen and offering outstanding still photo and video shooting functions.
The background music features “Vissi d’arte, vissi d’amore” from Giacomo Puccini’s opera Tosca, with vocals by Maria Callas, whose beautiful high tones are truly breathtaking.
Everyone is English; everyone speaks English.Marina Aikorutsu

It has a very beautiful melody, but the lyrics are unique and amusing.
This is a highly talked-about song: a misheard-lyrics (soramimi) track by Marina Aikoltz.
Pay attention to the katakana-English lyrics that sound just like English!


